Culinary
Jul. 13th, 2025 08:04 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This week's bread: a Standen loaf, 4:1 Strong Brown/buckwheat flour, with maple syrup (last drain from bottle) instead of honey and Rayner's Malt Extract. V nice.
During the course of the week I made Famous Aubergine Dip to take to a BBQ.
Saturday breakfast rolls: adaptable soft rolls recipe: approx 70/30% wholemeal/white spelt flour, Rayner's Malt Extract, dried cranberries, not bad.
Also made foccacia to take to BBQ.
Today's lunch: sweet potato gratin with black olive tapenade (as there were sweet potatoes left over from last week), served with warm green bean and fennel salad (I did use tarragon vinegar but I think this had rather lost its oomph) and baby green pak choi stirfried with garlic.
Recent Reading
Jul. 13th, 2025 08:26 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(The last time I napped, come to think of it, was after my last work conference, in which not only was I sleep deprived all week, but I came down with a case of literal hives on the airplane home. Ugh.)
Anyway. None of you are here to hear about all that. ;-)
Lois McMaster Bujold, A Civil Campaign (1999)
Read aloud with
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This was one of my favorites from my first read of the series; I'm happy to say I liked it even better on re-read. I'm not sure how well it can be read as a stand-alone, as it assumes a working knowledge of Komarr. But I do like the strong ensemble of characters, and that the conflicts are mostly social and personal, instead of military or mystery. (Which does not stop it from rising to an action-packed climax at the end: I believe Grrlpup and I read the final three chapters in one day!)
Grrlpup's favorite characters were Dr. Enrique Borgos and his beloved butter bugs, and it is true: it is always a delight when they come on the page. Armsman Pym was also a favorite; she'd very much like to see his pov. (Alas, we do not, as I recall, ever get it in the series. I wonder if anyone has written Jeevsian fic for him?) And once again Lady Alys is serving strong Judith Martin vibes -- I do wonder if Martin was an inspiration for the character.
Lois McMaster Bujold, "Winterfair Gifts" (2004)
Read aloud with
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Taura, my beloved! *hearts-eyes* And I am fond of Armsman Roic, too (although I don't think this satisfied Grrlpup's desire for a Pym-centered story). Quick and sweet read, like a delicious chocolate truffle.
Daniel M. Lavery, Dear Prudence: Liberating Lessons from SLATE.com's Beloved Advice Column (2023)
I don't read many advice columns, but I find them most satisfying when there is an implied code of social logic that underlies them. (Make! The social! World! Make! Sense!) Lavery clearly has such a code, and the code tallies nicely with mine, which made this a pleasant read. I do enjoy the bits where he reconsiders the advice he originally gave; it's nice to know that even confident advice-givers grow and change over time. There's a chapter or two of letters on transitioning and/or coming out, presumably as Lavery himself was transitioning at the time and drawing more of that kind of question than I usually expect to see in a general-topics advice column.
Saeed Jones, How We Fight For Our Lives: A Memoir (2019)
Brief, lyrical, eminently readable memoir of growing up gay and black in the 1990s in Texas, attending university in the 2000s in Kentucky, and the death of his mother in the 2010s. There are some painful topics (gaybashing, homophobia, Christian evangelism, racism, a sexually self-destructive phase, and his mother's aforementioned death), and consequently the material gets heavy at times, but I raced through this in a day, always willing to turn the page and see what other thoughts and experiences he had had.
I also have a gob of Hum 110 bookgroup reading to write up, but I'll save that for their own posts.
New Voices: The Campbell Award Nominees (New Voices, volume 1) edited by George R R Martin
Jul. 13th, 2025 08:50 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

The first in a series of anthologies that assemble stories by Campbell Award (now the Astounding) finalists.
New Voices: The Campbell Award Nominees (New Voices, volume 1) edited by George R R Martin
Murderbot fanvid rec: Bohemian Like You
Jul. 13th, 2025 12:11 amMurderbot fanficlet: Sanctuary Moon forum flame wars
Jul. 12th, 2025 09:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Click to view
Post-finale Gurathin, burdened with all these memories of Sanctuary Moon, still doesn't like the show but now can't resist getting into nitpicky arguments about it on futuristic forums, where he and Murderbot keep crossing paths and gradually realize who they're talking to and get very fond about it without admitting to anything.( 600 words or so of future fan forum shenanigans )
(no subject)
Jul. 12th, 2025 06:07 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
2. I finished The Caves of Steel by Isaac Asimov. It's dated in a way that I now find interesting--part of the charm of old school sf is that the future it imagines looks like the past. At one point one character gives a lengthy explanation of how spacers have naive immune systems and would be killed by regular non-fatal Earth diseases, and I realized Asimov decided to include this because it was not common knowledge in 1953. The book espouses some very Malthusian ideas and concludes that the solution to overpopulation is to send more people to space. Also spotted: incredibly dated gender politics, positronic brains, the three laws of robotics (Asimov invented the term robotics; robot was coined by another sf author), and 60-mph moving walkways.
3. I was poking around the Wayback Machine copy of FanHistory.com and found a page on a 2009 sf drama I don't remember hearing about: The War on Science Fiction. Some misogynistic blog claimed that girls were ruining sf, and then a bunch of other sf blogs dunked on them. John Scalzi's response.
It reminded me that I'd recently listened to the audiobook of Women Destroy Science Fiction! (2014)--a short-story anthology by various female authors. With a title like that, I assumed there was a backstory, but I didn't know if it was inspired by a particular incident or just a general trend of sf fanboy whining. I just googled it and found the explanation: a deluge of sexist commentary in 2013. I wonder if they're referring to the first iteration of the sad puppies?
The Everlasting, by Alix E. Harrow
Jul. 12th, 2025 02:51 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Review copy provided by the publisher.
This is a bit like if The Book of Ash had a massively repeating time loop and was explicitly anti-fascist, and clocked in at almost exactly 300 pages.
So...not a lot like The Book of Ash actually. Ah well. It does have a scholar/historian, it does have examination of the legends of the past and how they serve the goals of the present. It does have complicated human relationships, and it does have about as much blood as something this full of swords should by rights have.
There's a love story at the heart of this, possibly more than one depending on how you read it, but structurally it is definitely not a romance. It might be the older kind of romance, with knights fighting for their honor, with strange and wondrous events. Time loops certainly qualify, I should think. But the characters have a real tinge to them--they are explicitly not the stained glass icons some of them see from time to time in the text. If I had one complaint it could be my common one with time loops: that it's hard to get the balance right so that repetition and change are harmonized in just the right way. But I'd still recommend the way Harrow is determined to examine how the stories we tell serve ends that may not be our own--and what we can do about that.
Huh
Jul. 12th, 2025 12:02 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
2010: Melbourne, Australia
2011: Reno, USA
2019: Dublin, Ireland
2020: Wellington, New Zealand
2024: Glasgow, Scotland
(I was nowhere near the ballot in 2009, Montreal)
At a guess, those are years where vote totals were a bit lower?
( Read more... )
Assortment
Jul. 12th, 2025 04:12 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Walkouts, feuds and broken friendships: when book clubs go bad. I don't think I've ever been in a book club of this kind. Many years ago at My Place Of Work there used to be an informal monthly reading group which would discuss some work of relevance to the academic mission of the institution, very broadly defined, and that was quite congenial, and I am currently in an online group read-through and discussion of A Dance to the Music of Time, but both these have rather more focus perhaps? certainly I do not perceive that they have people turning up without having reading the actual books....
Mind you, I am given the ick, and this is I will concede My Garbage, by those Reading Group Suggestions that some books have at the end, or that were flashed up during an online book group discussion of a book in which I was interested.
Going to book groups without Doing The Reading perhaps goes under the heading of Faking It, which has been in the news a lot lately (I assume everybody has heard about The Salt Roads thing): and here are a couple of furthe instances:
(This one is rather beautifully recursive) What if every artwork you’ve ever seen is a fake?:
Many years ago, I met a man in a pub in Bloomsbury who said he worked at the British Museum. He told me that every single item on display in the museum was a replica, and that all the original artefacts were locked away in storage for preservation.
....
Later, Googling, I discovered that none of what the man had told me was true. The artefacts in the British Museum are original, unless otherwise explicitly stated. It was the man who claimed to work there who was a fake.
This one is more complex, and about masquerade and fantasy as much as 'hoax' perhaps: The schoolteacher who spawned a Highland literary hoax
This is not so much about fakery but about areas of doubt: We still do not understand family resemblance which suggests that GENES are by no means the whole story.
Books Received, July 5 — July 11
Jul. 12th, 2025 08:47 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Four books new to me.Two are SF, one is fantasy, one is a mix of both. I don't see anything unambiguously labelled as series works.
Books Received, July 5 — July 11
Which of these look interesting?
Secrets, Spells, and Chocolate by Marisa Churchill (December 2025)
14 (35.9%)
Spread Me by Sarah Gailey (September 2025)
14 (35.9%)
The Forest on the Edge of Time by Jasmin Kirkbride (February 2026)
14 (35.9%)
The Universe Box by Michael Swanwick (February 2026)
18 (46.2%)
Some other option (see comments)
1 (2.6%)
Cats!
31 (79.5%)
Connexions (27)
Jul. 12th, 2025 10:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Clorinda looked up from the letter she was perusing as Sandy entered the parlour. La, my dear, you are a late riser the morn – or, indeed, might I suppose you did not sleep at home last night? She picked up the little bell upon the breakfast table to ring for fresh coffee.
Sandy scowled at her as he went sit in the chair opposite and helped himself to a muffin.
I will not attempt, she said, to engage you in conversation until you have been fortified.
He scowled but said nothing.
Shortly afterwards came Hector with coffee and hotter muffins as well as a platter of bacon and grilled kidneys.
Clorinda continued to read her correspondence – oh, fie, here are the orphanage ladies go be troublesome yet again, I must go call on Lady Jane betimes so that we may devize some plan to rout 'em – sure I have no engagements this very afternoon –
Most unwonted! Sandy remarked, as he poured himself a third cup of coffee.
– though I go dine at the Wallaces this e’en, to bid farewell to dear Polly Fendersham and Mr Enderby. But my dear, are you now restored to waking consciousness once more, had a thought while reading a letter from Barbara Collins –
They are all well, I hope?
O, entirely, business flourishes, &C, though she misses young Una. But thinking of how well they are doing out of horseflesh over there, wondered if that young groom that fell foul of Blatchett had any notion to seeking his fortune in the colonies?
Sand raised his eyebrows and took a drink of coffee. 'Tis indeed a thought, he agreed. For quite apart from our concerns over Lady Isabella, I have come to consider that Blatchett may come to wonder what else young Oxton might have seen – even he might find a guilty conscience preying upon him from time to time – and take further measures.
La, Mr MacDonald, did you ever essay the Gothic mode? But that is a point well taken.
Let us not dilly-dally, then: I must to the godless institution this morn, but may take myself into Berkshire and Offerton’s stables to sound Oxton out later. 'Tis no great journey.
Clorinda nodded. 'Tis the wisest course. And you may mention that there is a philanthropic scheme for aiding such deserving young persons to emigrate –
There is? – Clorinda smiled – Ah.
So that was one piece of good work dispatched, or at least, well in hand, so early in the day, very gratifying!
But she must look into the matter of the orphanage – alas, dear Dumpling Dora Pockinford had been sadly distracted of late – even had the Honble Simon pulled round from those shocking ways of which the Pockinfords did not speak but of which Clorinda had heard from Josh, that had prevented the boy from laying violent hands upon himself, it must fret a mother that he was now going so distant, and doubtless she imagined all sorts of perils. 'Twixt that, and first Aggie and now Thea showing religious leanings that were anathema to Lord Pockinford’s Evangelicalism, that family was not at its most harmonious. And her deputy, her daughter-in-law Lady Demington, only very lately returned from recovering her heath in Harrogate.
'Twas no wonder matters were somewhat awry!
So Clorinda gathered up the necessary papers – the Matron at least was a good businesslike woman! – and had the horses put to the carriage to take her to that quiet and unfashionable but perfectly respectable neighbourhood where Lady Jane had her apartments, adjacent to those of Amelia Addington. Looking out of the carriage window, Clorinda saw signs that these streets were coming up, 'twas no wonder, were convenient for a deal of matters.
Nick Jupp handed her down, and said he would take the carriage round to the King’s Head and tend to the cattle there –
And I hope you will tend to yourself and take a mug of ale or so!
She was rather surprized, on entering Lady Jane’s sanctum, to find the place in a considerable bustle of company – there was Janey Merrett, and Amelia, and, why, Viola Mulcaster – 'twas quite the family gathering –
But also, over at the pianoforte, that Lady Jane was finding her fingers rather too stiff to play herself these days, but that Janey came to play to her quite frequent, Zipsie Rondegate and Thea Saxorby.
Lady Bexbury! cried Lady Jane, beginning to rise, as Clorinda besought her not to do so. I have a rare treat brought to me the day. Lady Rondegate has been rehearsing Lady Theodora in dear Grace’s settings of Sappho’s lyrics – lately turned 'em up among some papers sent from Nitherholme – Miss McKeown had copies –
But how charming! said Clorinda, taking a chair. One must suppose that dear Viola must have had somewhat to do with this – showed very well in her, when one recalled her own disastrous history with those songs, as a very young woman just out in Society.
Zipsie waxed very effusive about the songs, to Lady Jane’s perceptible gratification. O, she said, I must have been in some concern that they would be considered sadly old-fashioned – not to mention the work of an amateur hand –
Not in the least, declared Zipsie, showed 'em to Uncle Casimir and he wondered was there any other compositions of hers surviving.
That was praise indeed!
So after some preliminary exercizes, Zipsie and Thea commenced upon the recital.
O, though Clorinda, that one might prevail upon Thea to perform at one’s drawing-room meetings, if not at a soirée. Such a voice. Not, perchance, these songs – mayhap somewhat unsuited to the taste of the present day? – one supposed Thea was ignorant of the life of the poet –
Tears were running down Lady Jane’s face, a most unwonted event.
Amelia Addington was an actress, and capable of keeping in character whatever disasters were going forward on stage or in the wings or even was there a riot in the audience – yet to Clorinda’s eye of old acquaintance, there seemed an air of – of distress?
The song became silent.
O my dears, said Lady Jane, blowing her nose, you have given me a great gift. I never thought to hear those songs again, and you performed them exquisitely.
Clorinda stood up and said, did not wish to be uncivil, but saw that they were about to engage in deep musical converse, and collected that she needed to talk to Miss Addington about a drawing-room meeting, might they step aside for that?
She drew Amelia out into the corridor, where the actress sank her head onto Clorinda’s shoulder and burst into tears.
Dearest Amelia, she said as she put an arm about her, you should not think that she loved who His Grace always refers to as that jealous Billston hag more than you – she remembers, doubtless, happy times of youth but that is very much about those years –
O, sobbed Amelia, it is not that. It is that I think of how ephemeral my own art is. I strut and fret an hour upon the stage –
Things were very bad was she quoting the Scottish play! Clorinda made certain gestures learnt in her youth backstage.
– and 'tis gone. Mayhap a critic will remark upon me in a newspaper, that will then wrap fish.
And you have taught a deal of generations of other actors. I daresay in Sydney there is Orlando Richardson saying, Addington did thus and so – I remember how Addington directed this scene – you will never come up to Addington in that role –
She gave a weak giggle.
– in New York I daresay Charlie Darcy reminisces, though careful to add that of course, his wife is in a very different style – would that one might see the pair of you together on stage –
Amelia mopped her eyes and blew her nose.
– And one dares imagine that in heaven the great dramatists gather round and debate the rival virtues of your performance and that of Mrs Siddons in their great roles.
You flattering weasel! she exclaimed.
Is it not a vocation to bring those works to life?
The two women embraced and Amelia said sure she was being very foolish. And mayhap the late Miss Billston had had a pretty talent but she had led poor Lady Jane a sad dance – jealous scenes, and then getting up flirtations herself when they went into Society – and making a deal of her poor health –
Clorinda stroked her hair and said that Lady Jane had been young – only just coming into the understanding of her nature – in maturer years she had made a wiser choice –
She will even say as much, Amelia admitted. Let us go in, and make sober compliments to the performers.
They discovered Lady Jane quite exhorting Lady Theodora to consider upon the Parable of the Talents – and what is that fine passage from the Bard that you are wont to quote, Lady Bexbury, about not concealing our virtues but letting them shine forth?
Thea was blushing, and murmuring that mayhap she should think upon that.
So Clorinda went away, having agreed upon a further rencontre to talk orphanage, feeling that that had been an agreeable occasion and that mayhap Thea would come about to let her virtues go forth of her.
And now there was going to dine with the Wallaces, that had been wont to be an entire pleasure but had been constrained for many months by the louring presence of Lord Fendersham.
However, on her arrival she was greeted with positively giddy glee by Sir Barton and Susannah Wallace, as well as Bobbie and Scilla, conveying the very happy news that Fendersham was finally ceasing to be the prodigal father and returning home to take up his responsibilities.
Has been all day about settling various of his affairs – his valet about packing – takes a morning train –
So even though we are saddened to have dear Lady Fendersham going away for who knows how long, said Susannah, flourishing her lorgnette, we cannot be other than merry at this prospect.
Well indeed, thought Clorinda, wondering how it had come about. Had been quite unable to fathom how she herself might contrive such an end!
Later that night, darling Leda giggled and said, la, did Clorinda take a pet that some other hand had wrought this?
At which she laughed herself and said, was heartily glad that there were other hands that might undertake these burdens.
Another Murderbot TV fic, Temperature Flash, and Hurt/Comfort-Ex
Jul. 12th, 2025 12:18 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Echoes (gen, 2500 words, Gurathin-centric)
Summary redacted because of spoilers; basically Gurathin's POV on some of the events of the finale.
A few notes on the fic (spoilery for both fic and episode):
under here
• I kept tweaking Gura's final line to Murderbot, so it might be a bit different if you read an earlier version. (I felt like I needed to soften it from how it originally was. They are hard to write! Especially keeping their edge when they're so soft in the final scene.)• We know Murderbot has trouble figuring out what it's feeling, but I also think it's very plausible that Gurathin has the same problem, if not as badly. He's repressed so much for so long. Asking himself to identify exactly what emotions he's feeling is something that some therapist or other taught him to do.
• This is not necessary context for the fic and it's entirely subject to interpretation, but what I was thinking when it wrote it is that Murderbot using "its" for augmented humans in its last line of dialogue to Gurathin is actually MB doing roughly the same thing (except more emotionally positive) that Gurathin is doing in the episode of the show where he's arguing with Mensah and calls it "he" and then corrects himself to "it." It's over-identifying and doesn't even realize that it's doing so; I mean, it's worried about Gurathin, obviously, and that's why it's here, but there's also a certain amount of "we are the same kind of creature" going on here, even though it doesn't realize it's relating to him on that level. It knows that he might have damaged himself with the data overload because it also knows that it might damage itself in a similar way, and he has much less storage to handle it. And it's just kind of subconsciously being concerned about him as it might be concerned about a fellow construct, or itself, having taken damage. Of course neither of them parses all of that consciously.
In other events, Terrible Temperature Troubles Flash Exchange revealed gifts tonight! I got two absolutely delightful gifts - An Official Complaint Against the Universe (Babylon 5, Vir & Londo, hypothermia and h/c) and Consequences of Cold (Biggles, Biggles/EvS, snuggling when chilled). I loved them!
And finally,
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Regarding research transports
Jul. 11th, 2025 11:11 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Today a new Murderbot short story came out: Rapport: Friendship, Solidarity, Communion, Empathy, which is free to read at Reactor. It's 7.5k, set after Artificial Condition, and Murderbot appears only by implication, because the point of view character is one of ART's human crew members.
( Everything else I have to say is spoilers, for both the short story and System Collapse. )
That There Dr Oursin was at a conference again
Jul. 11th, 2025 07:40 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This time it was online, in Teams, and worked a bit better than some Team events I've attended, or maybe I'm just getting used to it.
A few hiccups with slides and screen sharing, but not as many as there might have been.
Possibly we would rather attend a conference not in our south-facing sitting-room on a day like today....
But even so it was on the whole a good conference, even if some of the interdisciplinarity didn't entirely resonate with me.
And That There Dr oursin was rather embarrassingly activating the raised hand icon after not quite every panel, but all but one. And, oddly enough, given that that was not particularly the focus of the conference, all of my questions/comments/remarks were in the general area of medical/psychiatric history, which I wouldn't particularly have anticipated.
Listened to some stuff
Jul. 11th, 2025 04:35 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
1977 by Sarah Wooley
Which is a play about Angela Morley composing the music for Watership Down. Before transitioning, Angela Morley had written and arranged music for the Goon Show and wrote the theme tune to Hancock's Half Hour, and the play begins when Malcolm Williamson, Master of the Queen's Music is overwhelmed with writing music for the Queen's Silver Jubilee and has totally forgotten he is supposed to also be writing the soundtrack to Watership Down. Several times in this play people say something like "Oh God, the rabbits!" Malcolm Williamson is really not in a good place and stops answering the door and then runs away to the Carmargue with his (male) publisher, leaving not very many minutes of not arranged music with the symphony orchestra and the recording studio booked for something like 10 days' time. And people go "oh shit" and "the only person who can do this is Angela Morley" and go and grovel and promise it's not going to be about her, it's all for the sake of the rabbits and persuade her to just watch the film, no strings, and of course she does it and it's brilliant.
Limelight: Pretender Prince
about Bonnie Prince Charlie and the 1745 Jacobite rebellion
This is part drama and part author (Colin MacDonald) telling us why he has dramatised it the way he has, and part interjections from historians, which worked much better across all the episodes than I thought it would the first time the drama was interrupted by the writer or the historians. Bonnie Prince Charlie doesn't come out of it all very well. The only Stuart history I did at school (in England) was James I to Civil War and death of Charles I (A-level) so all I really know about that bit comes from folk songs. So it was good and I enjoyed it.
As it's a Limelight drama it might be available as a podcast other than on BBC Sounds which now won't let you listen to it outside the UK. I've liked a lot of the Limelight ones, though they tend to be tense thrillers and not about Bonnie Prince Charlie, but I dislike the way BBC Sounds views all of them as a series and is now telling me to continue listening to my "next episode", which is about the CIA and not at all the same thing.
*You listened to a play. Now listen to another play that was on at the same time the next day.