violsva: full bookshelf with ladder (Default)
So the problem with using New Year’s as a time to take stock and make plans or to set a pattern for the year to come is that generally I spend New Year’s celebrating Christmas with whichever part of my family I didn’t see earlier in the month. So I’m not in a familiar space and often I don’t even have my laptop with me, which has, for example, the .txt file where I keep track of my reading.

Luckily this month that wasn’t complicated.

Recent: I listened to the audiobooks of Allie Therin’s Roaring Twenties Magic series again, while sewing. This was exactly what I needed and I enjoyed it very much.

That’s it, that’s all I finished this month.

I did reread “Christabel” on the subway one day, and I bought waayyy too many books and read some scholarly introductions to 18th century literature.

Current: I’m almost done rereading The Ironmaster’s Tale.

I am about halfway through Isabel Cooper’s Blood and Ember, which is the conclusion to a fantasy trilogy. I’m enjoying it, but I won’t finish it before I need to renew it.

But at least I can renew it, while The Notebook: A History of Thinking on Paper and Freya Marske’s Swordcrossed (both of which I’ve just started) have holds on them and I also probably won’t finish them before they have to go back. Oh well, I can put more holds on.

Future: I might just reread Daniel Cabot Puts Down Roots. That sounds like it’d be great right now. Also there was an excellent Yuletide fic for it.

Beyond that I might try to space things out a bit more. I may be hitting a point where I can only focus on one or two books at once, which would be weird.

Posted later here because like hell was I dealing with html tags on a touchscreen keyboard. But also I have now given my sister her Christmas present so I have posted quilt pictures on tumblr!
violsva: full bookshelf with ladder (Default)
Recent: Mostly fanfic, but I did finish Blake's Songs of Innocence and of Experience, and had a bunch of thoughts. I don't think there was much attention paid to the order of the poems when I studied some of them in university, and that felt very relevant when actually reading the whole thing. (Although he did change the order occasionally, so.)

Tried and didn't get anywhere with a bunch of things, which is frustrating but I suppose to be expected right now.

Current: Randall Munroe's How To: Absurd Scientific Advice for Common Real-World Problems, which is sitting in the kitchen and gets picked up whenever I'm waiting for my tea to steep. More comfort rereading.

Started Biggles Buries a Hatchet, but it's set in, or at least near, a gulag so it's not going very fast.

Did a lot of reading in Unmarriages: Women, Men, and Sexual Unions in the Middle Ages at the library, which has been great. Oh, and I read two academic articles, on Rapa Nui history as indicated by genetics and palaeolithic textiles. I miss my pensive citadels.

I'm flipping through a lot of craft books, usually ones I've read before or at least by familiar authors, and those probably won't go in the books file but they're very relaxing.

Also, mom went through the some of the old newspapers in the kitchen, which means I dug out (and then immediately spilled tea on) two magazines I'd been reading and maybe I will get back into those.

Future: I gave My Lesbian Experience with Loneliness back to the library early August when it became clear I wasn't going to finish it then, but I just picked up the hold again today.

I need to reread a certain Victorian horror novella for exchange reasons, so probably Thursday I will sit down and do that and make notes.

And then I've got a fantasy novel with a trope that is Exactly my thing on Libby, but we'll see how that goes. And if it doesn't, I got Swordheart by T. Kingfisher for my birthday yesterday so I can reread that.
violsva: full bookshelf with ladder (Default)
A continuing series that I might as well collect in one place.

It Is Always 1984: The BBC’s Sherlock and the Normalization of the Surveillance State

Vehement or Excited Mental State: Divinity, Disturbance, and Disapproval in Euripides’ Bacchae and The Rocky Horror Picture Show

That’s Not Awesome, That’s Child Labour: Problems with Pop-Feminist Understandings of History

Beautified With Our Feathers: An Optimistic View of the Future of Fanfiction

“I’m Here to Talk to You About the Avengers Initiative”: The Fantasy of the Perfect Job Offer in Modern Media
Alternatively, “Yer a Wizard, Harry”: Same Subtitle
violsva: full bookshelf with ladder (Default)
I can't speak for how they're treating faculty and staff (my program's student advisor seems extremely overwhelmed, but that may not be new), but at least in terms of interaction with students my college's conduct during the pandemic has been exemplary. Primarily, we get clear communication, a full semester in advance, how classes are going to work. (That is, since May - it's not like they could have given us a semester's notice for summer classes.)

Almost everything has been online and the campus is almost entirely locked down. This has the negative effect that more of the cost is put on the students, who have to buy lab equipment for themselves that would otherwise be provided on campus, but for me it's still well within the range of my OSAP grants.

On a less systemic level, every professor I've asked for an extension has immediately said "Yes, of course, no, I don't need to see a note," which has been nice.

That said, this is a technical college, and there are in fact some programs, like, for example, Aviation, that cannot be taught entirely virtually. So I have one in-person electronics lab course this semester. Due to failures of preparation and communication on the part of the provincial government, they had to add a bunch of sections after students had already signed up, with the result that my lab is on Sunday afternoons and only has nine other people in it. And then a 2km walk home in January because it's not really worth taking public transit right now.

The first couple labs were very straightforward "Have you forgotten how circuits work in the last ten months" exercises, but this week we were doing something slightly more complicated and I got to spend almost two hours cheerfully doing science in a space made for the purpose and with no interruptions. It was great.

!!!

Oct. 6th, 2020 09:47 pm
violsva: full bookshelf with ladder (Default)
So one of my tumblr posts has been cited in someone's doctoral thesis! Again?! And I can't believe this every time it happens, but this is the third time and I should maybe get a tag for it.

(If you know me and that's your thesis, do feel free to private message me if you want; I will not out you.)

I just. I have so many feelings about this. I did not go to graduate school, and I still think that was the right decision even if I'm sad about it, but ... this is so fucking cool you guys.
violsva: full bookshelf with ladder (Default)
Ladies and gentlefans, today we are talking about ancient Greek orthography.

In modern Greek textbooks, the texts look something like this:

The beginning of the Iliad in Greek.
Homer, Iliad, Oxford Classical Text, late 20th century CE

Note the useful features of this text:
- mixed case
- accent and breathing marks
- spacing between words
- punctuation
- paragraph breaks and line breaks in poetry

All of these are very helpful for readers! Especially readers used to modern English orthography. But they are about as modern as the footnotes. This is not how the original (or "original", since this is Homer and he composed orally) text looked.

Sometimes you learn this in class! My Old English textbook has a section on reading manuscripts, with photographs for you to practice on. Sometimes you don't.

Here's a Byzantine manuscript:

Part of a Byzantine Greek book.
Maximus Planudes, Anthologia Gracae, 14th century CE

Most of the features in the modern text above were introduced during the Byzantine empire!
This text has:
- accent marks
- punctuation
- paragraph and line breaks
All of which make things much easier if you're reading a text in an archaic form of your language that no one actually speaks anymore.

But it's mostly in single case, and there are no spaces between words.

Here's a late classical codex:

Part of a 4th century copy of the Greek New Testament.
New Testament, Codex Sinaiticus, 4th century CE

Note:
- single case
- occasional accents
- no word spacing
- a little punctuation
- paragraph breaks

If you're writing in the vernacular this is all you really need to understand a text.

But this is a giant formal church text most people would never see. And while it is an ancient Greek text, 4th century Christian Greece is not what most people think of when they hear "ancient Greek".

Here's a papyrus fragment:

A fragment of papyrus showing text in Greek.
Callimachus, Aetia, Oxyrhynchus papyri, 2nd century CE

Again:
- single case
- no accents
- no word spacing
- a little punctuation, maybe
- no paragraph breaks

Papyrus is time consuming to make! Parchment is ridiculously expensive! You want to save space. And at this point in time, you're writing in a language everyone understands! You don't need to provide all the extra help a student one or two thousand years later will need!

If you were writing a letter or a legal document, you might write it like this. Or you might write a letter on a wax tablet, and the recipient would erase it, reuse the tablet, and send it back to you with their reply. Informal texts don't survive both because they were written on fragile materials, and because no one thought they were worth preserving, the same way you don't carefully copy down and file your text messages.

But the kind of longfom text your typical ancient citizen would see most often looked more like this:

Part of the Rosetta Stone showing text in Greek.
Rosetta Stone, 196 BCE

This is part of the Rosetta Stone, which was a decree put on display in a temple. Note:
- single case
- no accents
- no word spacing
- no punctuation
- no paragraph breaks

You're carving this into stone! You are not wasting any space on that stone. And you're not putting in any extra marks you don't have to.

This text does have one modern convention that isn't a guarantee, though: the lines all go in the same direction.

Part of the Gortyn law code, showing text in Greek.
Gortyn Code, 5th century BCE

This is the actual law code of Gortyn in 5th century Crete, which was on public display in the agora. It's carved in boustrophedon, which is one of my favourite words. Boustrophedon means "as the ox turns" - that is, the same way you plow a field. The lines alternate which direction they go in: left to right, and then the next line is right to left, and then it switches again. This is most obvious for English speakers if you look at the direction of the epsilons (E, Ǝ).

Why would you do this? Well, it's a long walk to the other end of the stele for both reader and writer, so why not just start the next line where you already are anyway?

What we think of as normal formatting in a text showed up entirely within the last 2000 years. Because none of it is actually necessary! youcanunderstandtextwithoutitevenifyouareusedtohavingitthereitsjustabitharderandconveysfewerconnotationsandshadesofmeaningwhichyoudontneedinalawcodeanyway
violsva: full bookshelf with ladder (Default)
1. The Antique Pattern Library is a thing that exists! OMG!

2. My twitter rule still applies ... except in the case of [twitter.com profile] theJagmeetSingh, which may be the only twitter that makes me feel better about humanity.

3. Most accurate AO3 tag yet: #idiots to lovers.

4. Titles and summaries are the most annoying parts of fic writing, so it's very weird to get that but literally nothing else about the fic - no prose, no plot, not even theme or mood. But:

It's Not That I'm Sentimental
Natasha Romanov is not a matchmaker. Maybe if she says that often enough eventually someone will believe it.

5. The latest in the continuing series of essays I won't write: Beautified With Our Feathers: An Optimistic View of the Future of Fanfiction.
violsva: full bookshelf with ladder (Default)
From [community profile] thefridayfive:

1. Did you enjoy your senior year of high school?

Certainly more than the other ones.

2. Did you have a senior trip (high school) and were you able to go on it?

A what now?

3. Was graduating (from either high school or college/university) a big thing with your family or just another day?

Well, I and my parents actually went to my high school graduation, so there's that. I did not attend my university graduation ceremony, mostly because the default was that you could have two guests and apply for a limited number of extra invitations, and there were at least four people I really wanted there and a couple others who would expect to be invited, so it was easier to just avoid the issue.

4. What were you looking forward to the most after graduating from either high school or college/university?

After high school I was looking forward to university. After university I ... wasn't really.

5. Knowing what you know now, what advice would you give your graduating self?

For god's sake go see a fucking psychiatrist. And the campus employment centre.
violsva: full bookshelf with ladder (Default)
I have updated my header post. That was actually all I was going to say, but in the process I discovered that a Tumblr post of mine (regarding the Watson & Holmes comic) has been quoted in someone's MA thesis! This is not my first time being mentioned in an academic paper, but omg it makes me so happy when it happens.

(If you know me and that's your MA thesis, do feel free to private message me if you want; I will not out you.)

And then [personal profile] consultingpiskies came in to show me Billy Porter's Oscars outfit, and man, some things need to be reblogged regardless of my general avoidance of Tumblr.

(At some point I will also try to sort out how to fit the widest number of potential applications into 15 icons, but now is not that time.)

EEEEEEEEE

Jun. 29th, 2017 03:13 pm
violsva: full bookshelf with ladder (watson's woes)
So I just found out that one of my fics (The Lodger) was mentioned in an academic paper.

It's cited as an example (the paper is about fair use and the role of fanfic in the market) with no further details, but OMG!!
violsva: full bookshelf with ladder (books)
Putting this on Dreamwidth as well as Tumblr:

So I’ve been thinking about soulmate AUs. The kind where your soulmate’s name is written on your skin. How would that start? When would that start?

Not with the beginning of writing. For centuries, in China, in Sumer, in Egypt, in Mesoamerica, writing was used for accounting or religion, and nothing else. Most people would never be able write their names or recognize them if they were written. Only royalty, gods, and perhaps some property owners would.

Individual scribes might have had signatures. For that matter, for all we know individual Paleolithic artists might have had signatures. But most people wouldn’t. What would happen the first time someone was born with an unknown symbol on their hand?

Probably it would be an isolated mystery. Remember, in most of these scenarios there’s no actual guarantee that you’ll ever meet your soulmate (although most people seem to end up with one from the same general area. Which is statistically unlikely). No one would know what it meant. Maybe people with symbols would be seen as special, or divine, or demonic.

And then it might start happening more often - or stop happening, if writing stopped being used (like in Greece after 1200 BCE). But most of the time still no one would know what the symbol meant. And most people wouldn’t have symbols, because most people’s soulmates wouldn’t know how to write.

(Sometimes I think the theory is that people would have a thumbprint instead of a soulmate mark? But this would be basically useless for matching purposes - you would have no idea where to start. So from that point of view the first people with actual names would just have them instead of the thumbprints that everyone else had and didn’t know the meaning of.

Incidentally, using thumbprints for recognition isn’t universal in non-literate societies either. European society didn’t realize that fingerprints were unique until the late 19th century. In a lot of places, they weren’t used until people were already using signatures, and needed an option for illiterate people. Also, while they are an identifying mark, they really have no relation at all to your name. For most of human existence, having a physical marker of your identity really wasn’t that important.)

Only somewhere with at least moderately widespread literacy would someone be able to look at a mark and go “Oh, that’s my friend Imhotep’s name. What a coincidence!” And only somewhere with widespread literacy would Imhotep’s soulmate also be able to write their name. Most early languages were logographic, and in cuneiform names specifically were almost always logographic, so you wouldn’t even be able to sound it out.

Phoenician (starting 1050 BCE) was the first widespread writing system, and was simple enough and common enough that sailors could write in it. It was also the first phoenetic script which would allow you to easily approximate the pronounciation of the writing on your skin.

But still, most people wouldn’t have symbols. Most people would never meet anyone with their name on their skin.

This would be a problem in AUs where you never feel sexual attraction to anyone who isn’t your soulmate. Imagine religion and culture in a world where almost everyone is functionally asexual.

How long would it take, until someone realized that if people’s names matched up, they had some kind of bond? How long would it take before this was a generally accepted theory?

Also, how long before this was seen as at all important, given that most people with the status to know how to read would also have arranged marriages?

But once it was generally accepted, suddenly literacy would become a lot more important. People would demand to learn how to write. (Some people would learn that their soulmate’s name wasn’t in the local writing system. What happens then?) People would want to give their children more unique names (ancient Rome had about thirty given names for men total, and they named their daughters “first Julia” and “second Julia.”)

Anyway, around ancient Rome or so, when there would not only be a lot of literate people but also a lot of people able to recognize foreign alphabets, suddenly there would be a huge drive for 1) more literacy and 2) better long distance communication, so you could find the Caius or Ξανθίππη or שָׂרָה who had your name on their skin. And as this idea became more and more widespread, so would this desire. The same thing would be happening in China and Ethiopia and India.

This would revolutionize world history. There would be strong motivations both for exploration and for making peace with foreign cultures. Everyone in Rome with a Jewish soulmate would want to make sure they wouldn’t be killed before they could meet them. Everyone with a soulmate in a strange language would want to know at least what language it was.

Come to think of it, these are also all good reasons for why people wouldn’t believe in soulmates. Your soulmate can’t be one of the hated barbarians, so that symbol doesn’t mean anything!

And that’s leaving out the fact that lots of people still wouldn’t have a soulmate who could write, and completely ignoring the existence of polyamory.

So getting to a modern society with everyone just knowing that that was your soulmate’s name would involve a really complicated history, probably nothing at all like ours. And there would be huge pressure to ignore the existence of soulmates at all.

No conclusions here, just taking an illogical premise way too logically.
violsva: full bookshelf with ladder (Default)
In my head, somewhere, there’s this muggleborn Ravenclaw at Hogwarts, who loves history. And she’s so excited about History of Magic, she reads all the books she can find, she looks for how it fits in with muggle history…

And then she gets to Hogwarts and realizes that wizards don’t care about history. At all. Class is taught by a ghost who doesn’t care about anything modern and seems surprised when he realizes students actually exist, no one cares if they fall asleep in class, everyone has been assigned the same essay topics every year for the last five hundred years. It’s all about rebellions and wars and treaties, and there’s no social history at all.

And her first couple years she just deals with it, because, hey, new fascinating world she’s learning all about, she can deal with one poorly taught class.

But what made me think about this was the title of Harry’s essay in third year. “Witch-Burning in the Fourteenth Century Was Completely Pointless - discuss.” Because look at that from the point of view of someone who knows something about the motives behind witch-hunts.

So that’s when she loses it and spends the whole summer researching and writing an essay on the historical effects of magical existence on muggles. How wizards let people scapegoat other muggles and especially women for things muggles wouldn’t believe in if there weren’t real wizards everywhere. How pureblood wizards were happy to screw up the lives of the muggles living near them and then avoided all consequences because hey, they had Flame-Freezing Charms if the worst happened, what did they care if someone else was caught and died horribly instead of them. How even today muggles were falsely diagnosed with mental illnesses because wizards weren’t careful enough with their Disillusionment Charms, or because wizards thought Memory Charms were the solution to everything no matter how they affected the victim.

And she hands it in at the start of the year and a week later she gets summoned to the Headmistress’s office.

And Professor McGonagall smiles at her and says “This is a bit unusual, but would you be interested in a TA position?”

Fragment 31

May. 3rd, 2014 06:42 pm
violsva: full bookshelf with ladder (Default)
And this, which I could queue on tumblr when I wasn't feeling fragile and then went ack when I was about to repost it but look, people, I know Greek.

Sappho; translated by, um, me

That man seems equal to the gods
to me, who sits across from you
and from so close can hear your sweet
speaking

and lovely laughter, as they force
my heart to shudder in my chest.
For when I briefly look at you,
speaking is lost,

instead my tongue sticks, subtly
a fire runs under my skin,
my eyes see nothing, roaring fills
my ears,

cold sweat pours over me, trembling
grips all of me, and pale as grass
I am; I seem to be so close
to dying.

But all must be endured, since
a poor and [
violsva: Illustration of Holmes and Watson, seated, with the caption "Cut out the poetry, Watson" (Holmes)
I just thought of a problem with lots of Holmes adaptations that also explains why the Granada ones are awesome.

People want the main characters of a show to be the people things happen to. They want the show to be all about the characters and the people they know and their enemies and so on.

Sherlock Holmes is not this kind of a story. Holmes is almost never personally involved in his cases. Someone else shows up and asks him for help.

Holmes and Watson have their own lives and emotions and experiences, but they aren’t focused entirely around crime. We mostly see the crime, because the assumption is that that’s what’s interesting, [this is an important book because it deals with war. this is an insignificant book because it deals with the feelings of women in a drawing room.] but the rest is there.

The crimes do not affect them personally. They may be in danger for their lives, but it is always on behalf of someone else. Even in The Empty House, where it could easily have been all about this man who wants to kill Holmes, it isn’t. Holmes is after the murderer of Ronald Adair. He uses the other man’s vendetta to bait him, but he doesn’t seem to have much of one himself.

This is the problem with focusing so hard on Moriarty (and one of the many problems with focusing on Irene Adler) and Holmes: it makes the story about Holmes fighting Moriarty rather than Holmes fighting crime. Holmes needs to be on the side of justice, and taking down Moriarty is because of that position, rather than because of anything personal.

But if you don’t start out with “Holmes solves crimes for other people because he loves justice” as a premise, you can end up with Holmes running randomly around London after Moriarty, because he hates Moriarty personally. Or because Moriarty’s *challenging* him and he *loves* challenges. Not to name any names, Moffat.

Things don’t happen to Sherlock Holmes. Sherlock Holmes happens to them. And then he goes home and plays the violin and thinks about something else, or the next case, or bees.

#three stories about moriarty and one about adler and this is what everyone chooses to focus on #episodic narratives are not necessarily bad #monster of the week #you can do all kinds of interesting things with h or w being kidnapped #but you shouldn't have to do that to make things interesting
violsva: full bookshelf with ladder (Default)
William Wordsworth

Nuns fret not at their convent’s narrow room;
And hermits are contented with their cells;
And students with their pensive citadels;
Maids at the wheel, the weaver at his loom,
Sit blithe and happy; bees that soar for bloom,
High as the highest Peak of Furness-fells,
Will murmur by the hour in foxglove bells:
In truth the prison, unto which we doom
Ourselves, no prison is: and hence for me,
In sundry moods, ‘twas pastime to be bound
Within the Sonnet’s scanty plot of ground;
Pleased if some Souls (for such there needs must be)
Who have felt the weight of too much liberty,
Should find brief solace there, as I have found.


Also, the tag "shakespeare monologue meme" on Tumblr has some lovely things.
violsva: full bookshelf with ladder (Default)
So everyone should go read The Café Elsinore by hoc_voluerunt. And then come here and talk to me about it.

It's made me think about modern adaptations and changing portrayals of mental health and the cliched argument over the transfer of power between generations in comedies vs tragedies and how parental relationships in Shakespeare compare to parental relationships in fairy tales. And I haven't had all these thoughts in my head at one time since university or mayybe when I was reading Aurora Leigh the year after, and oh, my brain is back.

(My brain is actually having serious difficulties at the moment, but the return of my critical reading skills can only be a good sign)
violsva: full bookshelf with ladder (books)
Title: But By Degrees
Author: Violsva
Fandom: Sherlock Holmes
Rating: M
Warnings/Enticements: Sex, Angst, Victorian Attitudes
Word Count: 4277
Summary: Mary Watson builds herself a life and home with her new husband, as secrets tangle around her.

At AO3.


Two years after graduation, and I still get random article titles in my head. The latest one is It Is Always 1984: The BBC's Sherlock and the Normalization of the Surveillance State.

I'm not writing it, but it's fun to think of.
violsva: full bookshelf with ladder (Default)
...like reading an introduction to a famous literary work. Even a very good introduction.

"The idea of that payment to Dupin echoing a real-life bribe to Poe seems on its face far-fetched (though less so than one writer's later suggestion that Poe himself was the "swarthy" gentleman who murdered Mary Rogers)." --Matthew Pearl

...That sounds surprisingly biographical for academic literary criticism. But it's not more absurd than a lot of critical theory.

(It spoiled the plots, like all introductions [the authors of introductions appear to believe either that they are actually writing afterwords or that everyone, or everyone important, already knows this anyway], but I read it after the stories, so that was okay.)

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