Recent Reading: Asian Fantasy + Romance
Dec. 29th, 2025 09:25 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
whimsyfulOnce a Villain, by Vanessa Len
The third and final volume in the YA time travel urban fantasy Monsters trilogy, this definitely cannot be read without the previous two installments.
Continuing right where Never a Hero left off, the book starts off with main antagonist and Joan’s half-sister Eleanor having finally succeeded in creating a world where monsters rule over humans and she reigns over all, and the plot revolves around Joan and the othes desperately trying to find a way to undo this and return to the world they know.
First of all, I have to talk about that resolution to the love triangle—
I had suspicions from the structure of the earlier two books (ex. the division of page-time between the two male love interests) that Len might be going for a poly/throuple ending, but I wasn’t sure if she had the guts to go for it in a mainstream YA series. I’m very pleased to report that she did, in fact, have the guts to go for it! Even though generally the soulmate/predestined trope is not a romance trope I’m fond of, and having the predestined couple turn out to be actually be a predestined throuple all along only slightly mitigates my indifference, but otherwise I really liked how this played out. One of my worries was how she was going to flesh out the Nick/Aaron side of the throuple, but I thought Len managed to concisely convey the sense of a deep, intense relationship between the two in an alternate timeline, enough that I could buy the current versions working out—though I could have read an entire book about about gladiator!Nick and Scarlet Pimpernel!Aaron (hopefully the fanfic writers will tackle this).
The worldbuilding continues to be one of the most intriguing parts of this series, and in this installment I really liked the depiction of a dystopian alternate world where humans and part-humans were basically slaves. The time-travel continues to run on vibes and Doctor Who-esque rules, but I didn’t mind since we got some cool action sequences and juicy character interactions (in particular, I loved every instance where a character has to interact with a different timeline’s version of someone they cared about) out of it.
As for weaknesses, I thought Joan was a pretty reactive heroine in this book, and it did sometimes feel like she’s going along with the requirements of the plot instead of having a distinctive personality of her own that actively drives the plot forward. I also found the epilogue/ending to be a bit too unbelievably happy in terms how easily all the conflict between human and monster society were resolved—I would have preferred if it ended more on a hopeful work-in-progress instead. And as with the previous two books, I felt like the prose could have been prettier on a sentence-by-sentence level.
But overall, I quite enjoyed this trilogy, and thought Len explored some pretty cool ideas even if she didn’t 100% stick the landing. I’m definitely looking forward to her future works!
Goodbye, My Princess by Fei Wo Si Cun (trans. Tianshu)
A bit of an odd duck of a book. Translated Chinese webnovels have been steadily growing in popularity in the Anglosphere, but most of these are danmei (M/M). I’ve seen this book marketed as YA het fantasy romance, despite 1) covering some pretty mature topics (liked forced abortion), 2) there being exactly one fantastical element in the setting—a magical amnesia-granting river—and is otherwise full on historical fiction, and 3) having an infamous tragic ending, which would preclude this from being considered a romance by Western genre conventions. What this really is, is a tragic romance, and an excellent example of the genre.
The plot: Xiaofeng is a cheerful, naive young princess from the desert kingdom of Xiliang who has been in a loveless arranged marriage with Li Chengyin, the crown prince of the Li empire, for the last three years. It has not been a happy union—Li Chengyin alternately fights with Xiaofeng or ignores her in favor of his preferred noble consort, and Xiaofeng mainly copes with the stifling nature of court life by crossdressing and sneaking out of the palace to roam the city with her faithful maid/bodyguard A’du. Then one day she encounters a stranger who claims to be her lost love from a life Xiaofeng can no longer remember. As Xiaofeng tries to piece together what had happened in the past, she and her husband finally start growing closer, but what she doesn’t realize is how truly brutal the royal court is, and that some memories are better left forgotten.
The entire main story is told entirely from Xiaofeng’s first person narration, which was a very effective and immersive choice. She is a naive, kind-hearted and trusting person stuck with limited language and cultural fluency in a foreign court stuffed to the brim with schemes and intrigues, and everyone knows it. So you only get a glimpse of all the political intrigue as they all fly completely over her head (these schemes only get explained in full in the epilogue/side stories told by the side characters) and have to try to figure out for yourself what’s actually going on. There is also an excellently done character progression as she slowly loses her innocence and happiness and is ground down into despair—her voice starts off rather silly and childish and then grows both more mature and much more sad.
The author Fei Wo Si Cun has a reputation for angsty, obsessive, incredibly asshole male leads who are basically a forest of walking red flags. But it worked very well for me in this story because it becomes very clear after a certain point that the male lead Li Chengyin is also the main villain and primary antagonist of the story. In fact, the book can be seen as a deconstruction of the common “kind-hearted naive princess marries a cold ruthless prince from an enemy kingdom and then they fall in love” trope/storyline. Li Chengyin is incredibly ruthless and cunning because that was the only way to survive the intrigues of the royal court and stay alive as crown prince. Xiaofeng’s warm and open-hearted personality is like catnip to someone with his personality, but being a monster who loves only one person does not make him any less a monster, and so he loves her but he also destroys everything that she loves, and it all ends in tears.
Overall, recommended if you’re in the mood for what’s essentially a perfect tragedy, starring a pair of lovers so doomed even being granted a clean slate and a second chance by Fate is not enough.
A note about the translation: the English translation is by Tianshu, and this is one of the best Chinese-English translations that I’ve read recently. There is no awkward “translationese” or jerky sentences—the prose flows smoothly and is downright lovely in many parts, and overall feels like a labor of love. I also liked the choice to link footnotes to all the bits of classical Chinese poetry that’s quoted in text. The one choice I’m puzzled by is the change in structure; the original novel (or at least the version I found online) had 42 chapters in the main story, plus some bonus chapters that are snippets from the POV of certain side characters (these are technically not necessary to read but highly recommended). The English translation aggregates the text into four very long chapters/parts instead, plus the bonus side stories. I’m not sure why Tianshu decided on this grouping, as this means there is no easy point to take a break in the middle of a very long part compared to the original.
The Scum Villain’s Self-Saving System, by Mo Xiang Tong Xiu (trans. Faelicy & Lily)
My first danmei cnovel, and I had a great time! About Shen Yuan, a young man who hate-read the entirety of a super popular and clichéd cultivation harem webnovel and died while in the middle of raging about how terrible the writing and plot holes are...only to wake up having transmigrated into said webnovel, as the villainous mentor who will face a brutal end by the OP Gary Stu male protagonist. Now he has to somehow get into the guy's good graces to avoid his canon fate and fix the original novel's plot holes...and of course this being danmei he accidentally changes the romance from M/F one-dude-with-a-massive-harem to M/M along the way.
Shen Yuan's running commentary mocking the the cliches of the hackneyed harem cultivation webnovel he's been unwillingly transmigrated into were hilarious, and I also loved every instance where he had to stay in character as this cool and unmoved master while internally swearing and freaking out. He's also a very funny example of an incredibly unreliable narrator.
My only complaints were that 1) I wish the female characters got more to do (not unexpected for a danmei, but it’s still disappointing to have several intriguing and layered male side characters whereas all the side female characters are much more flat in comparison) and 2) that sex scene sure was...something. Still, this was incredibly fun to read, and I'm definitely going to check out MXTX's other works!
The third and final volume in the YA time travel urban fantasy Monsters trilogy, this definitely cannot be read without the previous two installments.
Continuing right where Never a Hero left off, the book starts off with main antagonist and Joan’s half-sister Eleanor having finally succeeded in creating a world where monsters rule over humans and she reigns over all, and the plot revolves around Joan and the othes desperately trying to find a way to undo this and return to the world they know.
First of all, I have to talk about that resolution to the love triangle—
major ending spoilers
I had suspicions from the structure of the earlier two books (ex. the division of page-time between the two male love interests) that Len might be going for a poly/throuple ending, but I wasn’t sure if she had the guts to go for it in a mainstream YA series. I’m very pleased to report that she did, in fact, have the guts to go for it! Even though generally the soulmate/predestined trope is not a romance trope I’m fond of, and having the predestined couple turn out to be actually be a predestined throuple all along only slightly mitigates my indifference, but otherwise I really liked how this played out. One of my worries was how she was going to flesh out the Nick/Aaron side of the throuple, but I thought Len managed to concisely convey the sense of a deep, intense relationship between the two in an alternate timeline, enough that I could buy the current versions working out—though I could have read an entire book about about gladiator!Nick and Scarlet Pimpernel!Aaron (hopefully the fanfic writers will tackle this).
The worldbuilding continues to be one of the most intriguing parts of this series, and in this installment I really liked the depiction of a dystopian alternate world where humans and part-humans were basically slaves. The time-travel continues to run on vibes and Doctor Who-esque rules, but I didn’t mind since we got some cool action sequences and juicy character interactions (in particular, I loved every instance where a character has to interact with a different timeline’s version of someone they cared about) out of it.
As for weaknesses, I thought Joan was a pretty reactive heroine in this book, and it did sometimes feel like she’s going along with the requirements of the plot instead of having a distinctive personality of her own that actively drives the plot forward. I also found the epilogue/ending to be a bit too unbelievably happy in terms how easily all the conflict between human and monster society were resolved—I would have preferred if it ended more on a hopeful work-in-progress instead. And as with the previous two books, I felt like the prose could have been prettier on a sentence-by-sentence level.
But overall, I quite enjoyed this trilogy, and thought Len explored some pretty cool ideas even if she didn’t 100% stick the landing. I’m definitely looking forward to her future works!
Goodbye, My Princess by Fei Wo Si Cun (trans. Tianshu)
A bit of an odd duck of a book. Translated Chinese webnovels have been steadily growing in popularity in the Anglosphere, but most of these are danmei (M/M). I’ve seen this book marketed as YA het fantasy romance, despite 1) covering some pretty mature topics (liked forced abortion), 2) there being exactly one fantastical element in the setting—a magical amnesia-granting river—and is otherwise full on historical fiction, and 3) having an infamous tragic ending, which would preclude this from being considered a romance by Western genre conventions. What this really is, is a tragic romance, and an excellent example of the genre.
mild spoilers under the cut
The plot: Xiaofeng is a cheerful, naive young princess from the desert kingdom of Xiliang who has been in a loveless arranged marriage with Li Chengyin, the crown prince of the Li empire, for the last three years. It has not been a happy union—Li Chengyin alternately fights with Xiaofeng or ignores her in favor of his preferred noble consort, and Xiaofeng mainly copes with the stifling nature of court life by crossdressing and sneaking out of the palace to roam the city with her faithful maid/bodyguard A’du. Then one day she encounters a stranger who claims to be her lost love from a life Xiaofeng can no longer remember. As Xiaofeng tries to piece together what had happened in the past, she and her husband finally start growing closer, but what she doesn’t realize is how truly brutal the royal court is, and that some memories are better left forgotten.
The entire main story is told entirely from Xiaofeng’s first person narration, which was a very effective and immersive choice. She is a naive, kind-hearted and trusting person stuck with limited language and cultural fluency in a foreign court stuffed to the brim with schemes and intrigues, and everyone knows it. So you only get a glimpse of all the political intrigue as they all fly completely over her head (these schemes only get explained in full in the epilogue/side stories told by the side characters) and have to try to figure out for yourself what’s actually going on. There is also an excellently done character progression as she slowly loses her innocence and happiness and is ground down into despair—her voice starts off rather silly and childish and then grows both more mature and much more sad.
The author Fei Wo Si Cun has a reputation for angsty, obsessive, incredibly asshole male leads who are basically a forest of walking red flags. But it worked very well for me in this story because it becomes very clear after a certain point that the male lead Li Chengyin is also the main villain and primary antagonist of the story. In fact, the book can be seen as a deconstruction of the common “kind-hearted naive princess marries a cold ruthless prince from an enemy kingdom and then they fall in love” trope/storyline. Li Chengyin is incredibly ruthless and cunning because that was the only way to survive the intrigues of the royal court and stay alive as crown prince. Xiaofeng’s warm and open-hearted personality is like catnip to someone with his personality, but being a monster who loves only one person does not make him any less a monster, and so he loves her but he also destroys everything that she loves, and it all ends in tears.
Overall, recommended if you’re in the mood for what’s essentially a perfect tragedy, starring a pair of lovers so doomed even being granted a clean slate and a second chance by Fate is not enough.
A note about the translation: the English translation is by Tianshu, and this is one of the best Chinese-English translations that I’ve read recently. There is no awkward “translationese” or jerky sentences—the prose flows smoothly and is downright lovely in many parts, and overall feels like a labor of love. I also liked the choice to link footnotes to all the bits of classical Chinese poetry that’s quoted in text. The one choice I’m puzzled by is the change in structure; the original novel (or at least the version I found online) had 42 chapters in the main story, plus some bonus chapters that are snippets from the POV of certain side characters (these are technically not necessary to read but highly recommended). The English translation aggregates the text into four very long chapters/parts instead, plus the bonus side stories. I’m not sure why Tianshu decided on this grouping, as this means there is no easy point to take a break in the middle of a very long part compared to the original.
The Scum Villain’s Self-Saving System, by Mo Xiang Tong Xiu (trans. Faelicy & Lily)
My first danmei cnovel, and I had a great time! About Shen Yuan, a young man who hate-read the entirety of a super popular and clichéd cultivation harem webnovel and died while in the middle of raging about how terrible the writing and plot holes are...only to wake up having transmigrated into said webnovel, as the villainous mentor who will face a brutal end by the OP Gary Stu male protagonist. Now he has to somehow get into the guy's good graces to avoid his canon fate and fix the original novel's plot holes...and of course this being danmei he accidentally changes the romance from M/F one-dude-with-a-massive-harem to M/M along the way.
Shen Yuan's running commentary mocking the the cliches of the hackneyed harem cultivation webnovel he's been unwillingly transmigrated into were hilarious, and I also loved every instance where he had to stay in character as this cool and unmoved master while internally swearing and freaking out. He's also a very funny example of an incredibly unreliable narrator.
My only complaints were that 1) I wish the female characters got more to do (not unexpected for a danmei, but it’s still disappointing to have several intriguing and layered male side characters whereas all the side female characters are much more flat in comparison) and 2) that sex scene sure was...something. Still, this was incredibly fun to read, and I'm definitely going to check out MXTX's other works!
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png){kind=small}
