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Books Young Adult Spotlight

Most Anticipated Young Adult SFF/H for May & June 2026

Romantasy dominates the summer schedule, but there’s a lot of variety in these 21 upcoming titles.

By

Published on April 30, 2026

covers for 21 young adult SFF titles publishing in May and June 2026

And we’re back with a new batch of upcoming science fiction, fantasy, and horror young adult novels. I feel like I’ve been repeating myself the last year or so, but guess what, this summer there’s a lot of romantasy coming up. Much to my pleasant surprise, we also have a few science fantasy genre blends too. Horror is on a downswing, and science fiction remains tantalizingly rare. Nevertheless, queer authors are doing some really interesting things with identity. I have 21 new books to add to your TBR.

Thrills & Chills

That Which Feeds Us by Keala Kendall

cover of That Which Feeds Us by Keala Kendall

(Random House Books for Young Readers; May 5, 2026) Kōpaʻa Island Resort is an exclusive wellness getaway for the rich and idle, but for Lehua it’s the place where her twin sister Ohia vanished without a trace. The girls didn’t have a strong relationship, but that doesn’t mean Lehua isn’t going to go looking for her. After a storm strands her on the island, she’s at the mercy of the horrifying colonial history of the land stolen from her ancestors. There is very little in the way of ownvoices Native Hawaiian speculative fiction, so this is a welcome addition. 


The Saw Mouth by Cale Plett

cover of The Saw Mouth by Cale Plett

(Delacorte Press; May 12, 2026) A decade ago, advanced technology became sentient and lashed out in agony and torment. They destroyed themselves in a cataclysmic event known as Autumn. Now, genderqueer teen Cedar has arrived at the hometown of their missing father, Sawblade Lake searching for their last known relative. Something monstrous harasses them on the outskirts of town, something that is connected to Cedar in ways they don’t yet understand. 


The Monsters We Made by Peyton June

cover of The Monsters We Made by Peyton June

(Norton Young Readers; June 23, 2026) Every town has a legend about a local cryptid, and in Scarberry, Nebraska, it’s an alien called Old Lucky. Lenny and her boyfriend Evan run a YouTube channel where they investigate paranormal activity. They’re drawn to Claire’s hometown with her claim that aliens landed on her family farm. What they don’t know is Claire faked it to try and attract new customers to the ailing business. But when strange and terrifying things start happening, well, that hoax may not be a hoax after all. 


Magic with a Twist

The Electric Life of Lavender Lewis by Kara Storti

cover of The Electric Life of Lavender Lewis by Kara Storti

(Union Square & Co.; May 5, 2026) Epilepsy has always been something Lavender has just had to deal with. She’s had every kind of symptom and seizure, but after her mom’s death, her seizures change. Now she’s seeing—hallucinating?—a boy named Eli who also has epilepsy. She could get surgery to resolve the worst of her medical issues, but she fears not only that she won’t wake up the same person she was when she went in but also that she’ll lose her connection to Eli. 


Folklore & Mythology

The Hanging Bones by Elle Tesch

cover of The Hanging Bones by Elle Tesch

(Feiwel & Friends; May 12, 2026) The legendary Breimar Stag appears only every few years when the Scavenge Moon rises. If it is caught before the moon sets, the victor can wish for the death of anyone in the world, but if it escapes then the stag will take the life of one of its hunters. Katrín knows exactly who she wants dead: her employer, a wealthy baron, who has set his abusive sights on her cousin Alma. Her hunt is hampered by unexpected violence and more corpses than she knows what to do with. German folklore isn’t something we have too much of in YA fantasy, so I am very intrigued by this. Also! Katrín is asexual and aromantic!


The Lustrous Dark by Loretta Chefchaouni

cover of The Lustrous Dark by Loretta Chefchaouni

(Peachtree Teen; May 19, 2026) Shay is an apprentice midwife in the city of Nezjar. Her mother’s addiction to the drug Snow not only caused her death, but passed her forbidden magic to her daughter. Or so Shay thought. Turns out her mother is still alive, but their reunion is a tragic one. Now abandoned and far from home, she seeks safety from the dangers in Ard Al-Ghul with activists working to restore women’s magic to its rightful place. Inspired by “Snow White” and the Moroccan folktale “The Jealous Mother.”


Anthologies

Everything Under the Moon: Fairy Tales in a Queerer Light edited by Michael Earp

Cover of Everything Under the Moon

(Affirm Kids; May 12, 2026) This anthology does a queer remix on twelve classic fairy tales. The stories cover a wide range of speculative topics and YA themes, but the connective tissue here is queer joy and being your true self. Given that the government is currently trying to pass a national book ban that targets stories just like these, this collection couldn’t be more timely. Authors: Michael Earp, Alison Evans, Helena Fox, Amie Kaufman & Meagan Spooner, Will Kostakis, Jes Layton, Gary Lonesborough, Amber McBride, Abdi Nazemian, Maggie Tokuda-Hall, Alexandra Villasante and Lili Wilkinson. Interior and cover art by Kit Fox.


These Kindred Hearts: A YA Romantasy Anthology edited by Shari B. Pennant

cover of These Kindred Hearts

(Sweet July Books; June 30, 2026) Romantasy, like the rest of publishing, tends to involve mostly white people (and mostly cis, allo, and het people). This anthology centers on BIPOC characters with different intersectional identities, including class and queerness, to explore fantasy and romance from the YA perspective. Within these seventeen stories is a solid mix of fantasy subgenres. Authors: Alexene Farol Follmuth, Angela Montoya, Brent Lambert, Chelsea Padilla, Cheryl Isaacs, Jamar J. Perry, Jennifer Helen, Jill Tew, Kalynn Bayron, Kwame Mbalia, Maggie Tokuda-Hall, Nia Davenport, Nikki T. Grant, Shari B. Pennant, Sophie Li, Vanessa Montalban, and Zoraida Córdova. 


Past Is Present

We Could Be Anyone by Anna-Marie McLemore

cover of We Could Be Anyone by Anna-Marie McLemore

(Feiwel & Friends; May 26, 2026) Mexican siblings Lola and Lisandro are conning their way through Hollywood’s Golden Age, with Lola pretending to be a ghost and Lisandro pretending to be a spiritualist who can banish her. Their latest mark is Rockafeller-esque Bixby Fairfax and his glamorous actress girlfriend Blythe Belle. At his extravagant hilltop estate, the teens’ grift takes off. Lisandro catches feelings for Bixby’s son and Lola for a member of the staff, but at the same time the mystery of what really happened to Bixby’s dead daughter is a truth someone will do anything to keep from being revealed.


Where You’ll Find Us by Jen St. Jude

cover of Where You'll Find Us by Jen St Jude

(Bloomsbury YA; June 2, 2026) Calla is having a rough go. Kicked out by her parents. Can’t afford to go to college. Confessing she might be trans to her girlfriend, Ramona. Said girlfriend expressing reluctance to date a trans person. The two end up at a magical house called Amaranth, an oasis out of time whose occupants are queer kids from all across history. But when their refuge is threatened, the teens face the real and terrifying possibility that they will have to return to the real world. 


The Game of Oaths by S. C. Bandreddi

cover of The Game of Oaths by SC Bandreddi

(Candlewick; June 2, 2026) Paris, 1896. To avenge her sister’s death, Falan, a trapeze artist from India, joins the same competition that killed Lavanya: the Game of Oaths. Every year, 12 teens sign magical contracts binding them to the Enchanteur Jean-Pierre and compete at the pleasure of the wealthy. One wins, the rest die awful deaths. With the help of new allies, Falan will take on Jean-Pierre’s powerful connections and racist intentions. Now, all she has to do is survive.


Not All Those Who Wander Are Lost

The Last Best Quest Ever by F.T. Lukens

cover of The Last Best Quest Ever by FT Lukens

(Margaret K. McElderry Books; May 26, 2026) Ellinore is famous throughout the land for never having lost a quest. No one knows that she won them not through violence and bravery but conversation and basic problem-solving. And with the help of a chipper dragon. Now she has to do one last quest before she can retire at the ripe old age of seventeen: find the Elder Beast to save her brother from a deadly curse. She’s joined by her brother, a reckless noblewoman, a bard-in-training, and Princet Aven, Ellinoe’s competition and secret crush. A cozy fantasy with a heart of gold.


Their Will Undone by R.J. Valldeperas

cover of Their Will Undone by RJ Valldeperas

(Their Will Undone #1HarperCollins; June 2, 2026) In the acllahuasi, Nina awaits her future. Her ill younger sister was initially chosen for the annual harvest, but Nina volunteered as tribute. She expects to train to become a servant to a wealthy family, but is instead chosen to become the new bride of the emperor of Amaru. Lieutenant Kasik is sent to collect her, and their journey is beset by dangers. As her hidden magic reveals itself, sinister motives as to why the emperor is interested in a commoner girl come to light. Kasik and Nina may despise each other, but they’re all they have left.


A Great and Powerful Tyranny by Victoria Carbol

cover of A Great and Powerful Tyranny by Victoria Carbol

(Song of the Ghost Queen #1Page Street YA; June 23, 2026) The Wizard of Oz gets reimagined as a queer portal fantasy. Thia tumbles from her oppressive home in Kansas into a strange new world. After killing a witch, she is joined by three traveling companions to find the Mage King. Only he can send her home, but he is no great and powerful leader. Along the way, Thia learns about her late mother’s rebellious past and falls for the girl without a heart. 


Cursed Ever After by Andy C. Naranjo

cover of Cursed Ever After by Andy C Naranjo

(Farrar, Straus and Giroux (BYR); June 30, 2026) Risa is cursed. Born on a Bad Day, bad luck follows her around and plaguing her hometown of Barrow in a series of unfortunate events. On her seventeenth birthday, Brunhilda the witch sends Risa on a quest to transport Prince Javi, the least important prince in a long line of princes, to his betrothed. Bad Things follow Risa on her journey and things quickly spiral out of control. Much to her surprise, she also starts to fall for Prince Javi, even if he is a bit of a cad.


The River She Became by Emily Varga

cover of The River She Became by Emily Varga

(The River She Became #1Wednesday Books; June 30, 2026) By day Yaseema is a scholar of ancient artifacts for the Empire. By night she uses magic to find artifacts from her conquered people with the goal of eventually restoring them to their former glory. One of those relics grants her entry to the Fae land across the River where a dangerous item waits. She’s not the only one with eyes on recovering it. Captain Kiyan also wants the artifact for his own purposes, and the two forge a tenuous alliance. Who will betray who first? The cover copy comps this to The Cruel Prince meets The Mummy, and you know what? Sold.


Genre blends

Between Sun and Shadow by Laura Genn

cover of Between Sun and Shadow by Laura Genn

(Peachtree Teen; May 5, 2026) In this reimagining of “Beauty and the Beast,” two teen girls from opposing forces try to stop a war. Adria is from the Shadowlands where humans evolved into supernatural monsters after their planet was struck by a radioactive asteroid. Kori is from the Daylands, humans who fled underground after the cataclysm and who keep their memories of the Before Times stored in microchip implants. When Kori inadvertently becomes Adria’s prisoner, they uncover a conspiracy that will either unite their people or destroy them.


You Pierce My Soul by Jessica Mary Best

cover of You Pierce My Soul by Jessica Mary Best

(Quirk Books; May 5, 2026) In New Ionia, a faux Regency utopia with Big Brother technology, Zada is about to meet her soulmate. An algorithm called Heartsong determines everyone’s soulmate for them, and when Zada is introduced to hers, she feels…nothing. At all. He’s fine but he’s not Daphne, her ex-bestie she can’t stop thinking about. The two young women dive into the history of the surveillance tech that runs their lives and try to forge a path all their own.


Goldenborn by Ama Ofosua Lieb

cover of Goldenborn by Amam Ofosua Lieb

(Goldenborn #1Scholastic Press; June 2, 2026) With her father in a magically-induced coma, Akoma makes money investigating magic crimes with the San Francisco Police Department. During one such investigation, she discovers a body surrounded by molten gold and ash. A series of crimes in AfricaTown seem to be connected, and Akoma is the key to solving them. The trickster god Anansi offers to heal her father and stop the killer in exchange for her tapping into her ancestral magic. A near-future urban fantasy inspired by Ghanaian folklore. 


Novels-in-verse

Under a Carnivore Sky by Brianna Jett

cover of Under a Carnivore Sky by Brianna Jett

(Page Street YA; May 12, 2026) The small town of Saltview is surrounded by a swamp where a monster roams. For generations, the adults of Saltview are cursed by this monster and one-by-one they succumb to it. Lili, a loner, joins forces with Caleb, a boy on the verge of turning eighteen and contracting the curse like everyone else. He wants out of town and she wants to kill the monster. Maybe the two of them can finally do what no one else has been able to. 


Doe by Rebecca Barrow

cover of Doe by Rebecca Barrow

(Nancy Paulsen Books; June 23, 2026) Maris’ life is miserable and empty. School sucks, her homelife is lonely, and her girlfriend is probably going to dump her soon. All she has is the cheer team, and she relishes her role as captain. New student Genevieve is her only competition, and Maris will do anything to remove the threat. Up to and including making a deal with an ancient creature that comes to her in her dreams in the form of a decomposing deer.[end-mark]


The post Most Anticipated Young Adult SFF/H for May & June 2026 appeared first on Reactor.

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Posted by Jason Weisberger

After months of triage, fostering, and reuniting pets with families displaced by the Eaton Fire, Pasadena Humane has placed its final evacuee: Artemis, a striking German shepherd who became the last animal still waiting for a home.

By the second week of the fire, the shelter had taken in some 600 pets, Hooker said.

Read the rest

The post Pasadena shelter closes the book on Eaton Fire rescues with one final, very good dog appeared first on Boing Boing.

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Since breaking out with their fantastic eponymous debut album, which featured the smash hits “Cough Syrup” and “My Body,” Young The Giant has proved time and time again that they are one of the premier indie rock bands working today. Their sixth full-length album and Fearless Records debut, Victory Garden, is no exception and is one of their best albums to date.
Eric Cannata says: “We sonically wanted to capture the energy of all five of us together,” he shares. “A lot of tracks were recorded live. We worked with a producer named Brendan O’Brien, who is just this incredible producer, especially with bands in the way that he captures the energy of multiple people playing at once in a room… It is a little bit of a return to our roots because…

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…it is probably the closest to how we recorded our first record, but just five albums later.”

Victory Garden was written during retreats in Joshua Tree and Idyllwild. “Everyone in the band except for me right now have young children, and we all have busy schedules, and we have a shared studio space here in L.A., which we would try to go there and write together, and it was proving to be a bit difficult,” Cannata recalls. “There was so much life kind of distracting us from really getting into the zone together… Joshua Tree and Idyllwild were just far enough from where we all live that we could do about a week writing retreat each and really zone in together, have no distractions, reconnect as friends, and just make and write a record together that felt really collaborative and joyful.”

For Victory Garden, Young The Giant placed heavy emphasis on songwriting. “Songwriting wise we really tried to be in the moment and as intuitive and possible,” Cannata says. “We really tried to push our songwriting and just tried to write the best songs we possibly could, but also tried some experimentation in the studio.”

Although Cannata tells me the upcoming album is not as experimental as previous releases, there are still many instances in which the band plays around with sonics. One example is “This Too Shall Pass.” “The guitar part that you hear at the beginning and throughout the track is this really weird harmonizer effect – that sound is a guitar, and I am hitting two notes together, but it is like this harmonized delay.” The song also features a NASA audio recording. “There is a big database of audio that NASA released – that particular sample perked our ears up when we were in the studio initially writing it. It is finding yourself in orbit. That is just the idea or feeling it gave us. Being alive is so wild. Existence is just unbelievable. The idea that we are just floating on this rock, flying through space. It is like finally finding yourself in that ‘Aha’ moment of self-awareness.”

One of the standout songs on the album is “Evergreen,” with highlights including the beautiful chorus and breathtaking vocal harmonies during the bridge. “It was the last writing retreat we did, and we were out in Joshua Tree, out in the desert, and before going, we felt like we almost had an album, but we were missing a couple of things,” Cannata recalls. “I personally felt like something with grandeur or something Queen-esque was missing in the sense that I didn’t think we had anything on the record that had a section in it that was really unexpected… When it got time to write that bridge, that was a bit of a conscious decision to do something that felt really exciting to us. We made the bridge, wrote the song, and then in the studio, we were experimenting with Brendan on cutting out all the instrumentation and keeping the vocal harmonies. As we were recording with Brendan, because this was the first record that we have worked with him, we were kind of learning how to work with each other. As we went about halfway through doing the record with him, something he realized that we could do is that Sameer [Gadhia], myself, and Francois [Comtois] can get in a room together and harmonize and sing all together – there are moments where we would all be in the room together, everyone in the band and sometimes even Brendan, and we’d harmonize and stack vocals.” Spill Magazine

Aquaphobia

Apr. 30th, 2026 12:00 pm
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Posted by Ali Fitzgerald

Underground Artists is an ongoing comic by Ali Fitzgerald (Hungover Bear & Friends) that follows woodland creatures as they create art and search out whimsy in a bleak forest.

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The Big Idea: Brenda W. Clough

Apr. 30th, 2026 05:02 pm
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Posted by Athena Scalzi

Imagine a world where political servants actually served us, and whose decisions were backed by the will of the people, rather than their greed. If it sounds like fantasy, you may want to check out author Brenda W. Clough’s newest novel, Off the Screen. Follow along in her Big Idea, and remember to vote!

BRENDA W. CLOUGH:

I began Off the Screen more than twenty years ago. There’s a couple major drivers of the work, but the big one is the reboot of American democracy. It’s set in 2160, and at that point I felt that the United States could have refurbished its systems somewhat. 

But, in those golden 2000s, I abandoned the work because I couldn’t imagine why we would need to tinker with the system of American governance. Everything was fine, the economy was good, Bill Clinton was president and running things reasonably well. I couldn’t figure out any way to get from here to there. And so I closed the ms.

Well! Hah! When I found the manuscript on a thumb drive in 2025, it was obvious why we had a crying need for a reboot! The problem was plain to see: the serious disconnect between the people and the rulers. We, down here, need stuff done, and we can’t get Congress to do it. The Founding Fathers designed the system to be a representative democracy – we elect our two senators and one congressperson, and they go to Washington and do our will. But it’s not working. We need a fix.

This is not a new idea. Many, many political commentators today are saying this. Every time Heather Cox Richardson talks about what we can do in this moment, she calls for new ideas, new thoughts. Oh honey. You are calling my name!

So for this novel I redesigned America. Congress, that useless buffer, is now drastically pruned back. They are our servants, remember. We pay them to do stuff for us, the same way you pay the guy to mow your lawn or fix your car. We do not pay them to fly in private airplanes and feather their nests with insider trading. 

In Off the Screen, the citizens vote. All of us, every American every single day, has to vote. A neat system called DiDem, Digital Democracy, is tied to your online life. What do you do when you get up in the morning? Slug down a cup of coffee perhaps, and pick up your cell phone or open your laptop? In this book, when you swipe your cell open, the first thing that comes up is your ballot for the day. You have to do this before you get to open your email, or text your daughter, or check in with the office – it’s the starter screen of every American, and so it gets done.

Every morning you vote on a simple five issues, so the process takes perhaps a couple minutes. You spend longer finding the creamer to put into your coffee, so this is endurable. Each question is a yes/no vote, a KISS feature (Keep It Simple Stupid) that keeps it down to five taps on the screen. Then you’re free for the rest of the day to download porn or work on your bitcoin, anything. But daily voting in this novel is a requisite for citizenship.

These five questions are necessarily rather crude. Shall we invest in the repair of the Pennsylvania Turnpike? Should we impose economic sanctions upon Boeing? What about invading the Seychelle Islands? Yes or no, make a decision. Once the American people decide, it’s Congress’s job to do it: find the money for the turnpike, declare war against the Seychelles. And then, if that war means we need a bigger Army and maybe a draft, it can go back to DiDem again for more decision making. Do we increase taxes for that bigger army? Do we institute a draft? Yes or no? If we demand the impossible – yes, I want the Seychelles bombed back to the Stone Age, but no I don’t want to pay for it – Congress comes back with another vote: since we won’t pay for this war, do we sue for peace?

And not all questions are important enough to submit to the entire population of the United States of America. If you live in Arizona you may not care about the Penn Turnpike. So, every American votes every day on five questions. But we don’t all see the same five questions. A color-coded system of ranking gets minor questions decided by a smaller segment of the voters. If that first set of voters decides it’s important, it goes up to be voted on by a larger number. So at the end of the day, that decision to invade the Seychelles may get approved by an actual numerical majority of Americans, but it has to pass through a number of lesser votes to get there.

What DiDem gets you is the levers of power in the hands of the people. Congress is demoted to servants, the waiters at the restaurant who take your order and then set the hamburger in front of you. This is delicious to contemplate, isn’t it?

Unfortunately DiDem also means that a lot of stupidity occurs. The international proverb, in this novel, is that Americans cannot agree on which way is up.  I think we acknowledge today that people are by and large dumb as stumps. We make idiotic electoral choices that are swayed by crashingly disastrous criteria like fame, race, gender, sexual orientation, wealth, or fingernail color. For heaven’s sake, the Brits voted for Brexit! Even a perfected democracy does not free us from humanity’s innate flaws. Bad political decisions continue to be made in the world of Off the Screen, and I drop my hero Edwin Barbarossa into their chippers.

But he mostly ignores it, because he’s busy with the other Big Idea in this book. Live theater has been slain by AI. Actors exist mainly to be scraped for voices, pretty faces, and luscious boobs. And then someone decides to create the first live original stage musical in a generation. Eddie’s going to write the lyrics and score. 

Which means that I had to write the book and lyrics, because they’re in ongoing development through the entire novel. To acquire the rights to quote Sondheim or Oscar Hammerstein would be impossible. Believe it or not, sometimes it’s just easier to write a musical yourself.

And, because the canons of theater demand it, everything comes to a head on opening night: the show, Eddie’s fate, DiDem’s survival. This is the biggest book I have ever written, and if it had appeared in 2000 it would have been magnificently prophetic. But just as well it didn’t. We need it today.


Off the Screen: Book View Cafe

Author socials: Bluesky|Facebook

Three Weeks for Dreamwidth: Poetry

Apr. 30th, 2026 12:23 am
ysabetwordsmith: Text -- three weeks for dreamwidth, in pink (three weeks for dreamwidth)
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This year during Three Weeks for Dreamwidth, I'm writing about reading as a way of becoming an expert in a given subject. Read Part 1: Introduction to Becoming an Expert, Part 2: Architecture, Part 3: Dance, Part 4: Music, Part 5: Painting.


Poetry is a literary art that uses different techniques than fiction, relying on patterns and sounds to charm its audience. Languages use different features to indicate poetry -- sometimes rhyme, or alliteration, or other things. This creates a large range of forms as well as free verse. Here on Dreamwidth, check out [community profile] 25poemsamonth, [community profile] books, [community profile] greatpoetry, [community profile] haiku_gallery, [community profile] poetry, [community profile] thefreaksclub, or [community profile] words_just_words. There are more Poetry and Writing communities too.


Three Weeks for Dreamwidth April 25-May 15

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Deluxe double LP reissue of The Head And The Heart’s debut album. Featuring the original album remastered on the first LP, plus seven bonus tracks on the second LP. The bonus tracks are a combination of previously unreleased demos and live tracks, plus one live track available for the first time physically, and one previously unreleased studio track. The Head and the Heart is the self-titled debut album from Seattle folk-rock band The Head and the Heart, originally self-released in 2010 before being picked up and re-issued by Sub Pop in 2011. Built around harmonious vocals, piano, violin, and folk-rock instrumentation, the album captures themes of connection, wanderlust, and introspection across tracks like “Lost in My Mind,” “Down in the Valley,” and “Rivers and Roads.”

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Over time the debut was certified Gold by the RIAA, reflecting more than 500,000 units sold — a notable achievement for a band that began as a local favorite. The success of the debut launched The Head and the Heart into extensive touring and larger festival stages, laying the foundation for their subsequent albums and a dedicated fanbase.

Weird Nightmare – Hoopla (2026)

Apr. 30th, 2026 05:09 pm
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Posted by exy

It’s probably no accident that Weird Nightmare is releasing its sophomore album, Hoopla, on May 1st via Sub Pop. If ever there was a record primed and ready to inhabit the experiences of a carefree summer (ideally the one after your senior year of high school), it’s this one. Even if your summer is full of life’s painful realities, like funerals or the consequences of tax evasion, Hoopla may yet be the album on repeat wherever you listen to it.
Weird Nightmare is the solo project of Canadian musician Alex Edkins, guitarist and singer of the noise rock trio Metz, which is on an indefinite hiatus. Drop in on almost any point of any of the five studio albums Metz has released on the Sub Pop label since 2012, and you will hear a nearly exact antithesis of what…

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…Weird Nightmare espouses. Where Metz is distorted thrashing, Weird Nightmare is a love affair with catchy hooks and hummable melodies.

Weird Nightmare’s eponymous debut, which Edkins recorded at home during the pandemic, began the project as a lo-fi glimmer of potential that brightens into a technicolor soundscape on Hoopla. It’s Dorothy in Oz. And yet, even though there’s not a bare twinkle of Weird Nightmare in Metz, Edkins carries some of Metz’s distorted texture to this project, at least to the extent that the manic insistence of “Pay No Mind” or the strident caprice of “Little Strange” have a lineage.

Produced by Edkins and Spoon’s Jim Eno and recorded at Machines and Magnets in Pawtucket, Rhode Island, the songs generally rest on layers of guitars, such as fuzzy distortion on the bottom, crunchy rhythm in the middle, and a clean jangle cutting through the top. Bassist Roddy Kuester rides through the layers with chameleonic ease, while drummer Loel Campbell sets a ferocious groove throughout the album. The energy these guys bring to the material is infectious and admirable from the opening tune, “Headful of Rain.” Edkins and his guitar carry the first few bars, but when the whole cast of sounds kicks in, it grabs you by the collar and doesn’t let go until the end. You can point to several influences here, but the vigor Edkins and company bring to this record can only come from them.

Teenage Fanclub is probably a suitable reference if you’re looking for one of Edkins’ touchstones, but it’s possible to hear much older influences, the most obvious of which is The Beatles. You can hear them in Edkins’ love of the middle eight; all the oohs, aahs, and las echoing the melody; and sonic choices like background vocals going through what sounds like a Leslie speaker. The Byrds also seem to linger in the background of this, stepping elegantly to the fore when the opening riff of the album’s only “mellow” number, “If You Should Turn Away,” nods toward Gene Clark’s “I’ll Feel a Whole Lot Better.”

Hoopla feels like something that Edkins and Eno lingered over. Folded into the layers of guitars are simple nuances that help the album thrive on multiple hearings. Castanets punctuate “If You Should Turn Away,” and the piano, which also quietly appears on the moodily defiant “Never in Style,” creates a beautiful presence in a simple chord progression on the outro. Bells dot melody lines here and there, and those las and aahs hang over poignant shifts in tone like when Edkins takes the middle eight of “Baby Don’t” and repurposes it for a jangly outro.

The strength that makes all this possible lies in the bedrock of songwriting. Edkins’ tunes are virtually indestructible, which means that you could arrange them in almost any pop style with almost any affectation and they would still sparkle. But they are especially effective in this setting because of Edkins’ obvious love of power pop. As the nostalgia of songs like “Might See You There” or “Big City Lights” hints at, this album comes straight from the heart. — glidemagazine.com

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Posted by driX

Free Your Mind…And Your Ass Will Follow is the second album from funk innovators Funkadelic. Arriving in 1970 mere months after their trailblazing debut, the record saw the band honing their songcraft, while still allowing plenty of space for mind-bending exploratory jams. The album’s origin story famously involved a single marathon session on LSD. It marked the official introduction of legendary keyboardist Bernie Worrell, and would go on to chart at No. 92 on Billboard’s Pop chart.
Factoring George Clinton’s surprise at hearing the voice of Martha Reeves during a retrospective playback of the ten-minute title track, there’s reason to doubt the Parliament-Funkadelic leader’s memory in his claim that Free Your Mind…And Your Ass Will Follow was recorded in a day.

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Context is in his favor. This second Funkadelic album was released only five months after the self-titled debut, during the same month Parliament made their full-length debut with Osmium, and around the time Osmium co-producer Ruth Copeland offered her Self Portrait, featuring much of the same personnel.
Clinton and company were also taking it to the stage during this whirlwind period, often playing in and around their Detroit home base. One day might have been all they could spare. With Funkadelic a Top Ten hit on Billboard’s soul chart — aided by three charting singles, including “I’ll Bet You,” promptly covered by the Jackson 5 — the band responded with this considerably shorter and less radio-friendly follow-up. The latter quality at the least is a result of Clinton’s curiosity in finding out what would happen if the whole crew recorded on acid. Free Your Mind certainly goes further out than the band’s debut, as evidenced by looser song structures (drawn from material informally developed at gigs), maximized reverb, and other studio effects adding to the sense of lysergic mania. The title song places the listener in the eye of a storm generated in no small part by Bernie Worrell’s darting, blown-out organ, the grinding guitar action of Eddie Hazel and Tawl Ross, and its liberational (if discombobulated) sloganeering. The blazing “Friday Night, August 14th” sees Billy Bass Nelson, flanked by the pre-Dawn Telma Hopkins and Joyce Vincent, on the prowl with cash to flash: “My income tax return came through/I played oh-forty-seven and hit for two.” Thematic continuity is maintained with the following “Funky Dollar Bill,” linking the chasing and hoarding of wealth to drug dependency, street hustling, absentee fatherhood, and war. Worrell’s piano stabs and fillips are strikingly high in the mix here. “I Wanna Know If It’s Good to You?,” the lone single, might be the sleaziest P-Funk groove of all. It gives way to the warped and distressed blues of “Some More,” where Clinton laments incurable pain and a drained wallet, and the finale “Eulogy and Light,” an ominous monologue that plays off the Lord’s Prayer and Psalm 23 in its observation of capitalist ills. Next up was the masterstroke, Maggot Brain.

Remastered direct to lathe from original master tapes by Dave Gardner (all analog).

Media roundup, Mar-Apr

Apr. 30th, 2026 01:33 pm
superborb: (Default)
[personal profile] superborb
Disorientation, by Elaine Hsieh Chou (DNF): A satirical humor about a Taiwanese American literature PhD student who discovers the canonical Chinese American poet she's writing her dissertation on is actually white. This got taken back by the library multiple times and so I finally have decided... I probably should just drop it... Even if I DO think I'm right at the point where she probably starts Learning Something!! The protag is just so unlikeable that it was a struggle. Her problems with identity and her problems generally are just so... high school / college level, not late grad school. The cringe of being reluctant to use "the r word" on a blatantly racist guy. But I also do kinda want to know what happens. Does she dump her yellow fever boyfriend? Does she finally become friends with the cool girl militant antiracist rival? I have one week left of this loan...

Cinder House, by Freya Marske: Cinderella retelling where Ella is the ghost of her childhood home. I thought it could've used more description of the ballet itself, vs more fluffy language for that part. I enjoyed it, but ultimately it felt a bit unsatisfying -- too much of a power fantasy maybe? I REALLY thought she was going to trans the prince given the hints too, but alas. However, the trapped in the house vibes were excellently done. Definitely felt that was the strongest emotional part of the book. The closure on why her stepmother kills her father and her was perfectly done.

The Wax Child, by Olga Ravn: The beeswax doll created by an accused witch in 17th century Denmark narrates the events as its mistress moves, makes friends, and is persecuted. I didn't really understand this one to be honest... The style was interesting, but I wonder if I was too distracted from paying enough attention to more subtle details that would've made it more satisfying?

Annihilation, by Jeff VanderMeer: A team is sent to explore a mysterious area which has unusual properties; all previous expeditions have ended in disaster. This was fine, but I don't think I'll continue to the sequel or ever reread this.

Empire of Sand, by Tasha Suri; Realm of Ash, by Tasha Suri: A duology set in a fantasy, Mughal India-ish land where the oppressed Amrithi dance magic. The first is the elder sister's, as she resists the assimilation of her stepmother and is discovered before being sent to serve with the Emperor's mystics; the second is the younger sister's, who had assimilated well before her husband died in a tragedy and now must discover why the empire is falling apart. They were a bit YA-ish and I see why there's some uncomfortableness in the world building in the context of modern politics. The magic bloodline stuff was a bit passé, but the romances were good and the endings satisfying. Basically what it says on the tin.

The Village Beyond the Mist, by Sachiko Kashiwaba: Young girl spends a summer in a magical village working odd jobs; inspired Spirited Away. Cute and satisfying! A kid's book really, but still enjoyable to adults.

Breakneck, by Dan Wang: The thesis is "America is run by lawyers, and China is run by engineers." I've read his annual letters for a while, so I was interested in the book. Some details I didn't know, some interesting anecdotes, and very readable. However, a lighter read than I expected -- I'm not really sure who would be the real audience for this, since I expect those casually interested would know most of this and if you're not at least casually interested, why are you reading a whole book about it...

Feeding Ghosts, by Tessa Hulls: Graphic memoir exploring her grandma's, her mom's and her trauma as her grandma fled to Hong Kong and then had a mental breakdown from which she never recovered. Heavy stuff, definitely a biased viewpoint -- but of course, a memoir ought to be biased.

Games wise, I finished with Balatro after I unlocked everything (I don't think I'm meant for roguelikes...), and am now addicted to Merge Teahouse. I think the combination of a true storyline with little idle game and organizing things...
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[personal profile] profiterole_reads
Notes from a Regicide by Isaac Fellman was excellent. After being rejected by his biological father, Griffon, a trans boy, is adopted by Etoine and Zaffre Keming. They're artists and refugees from a city where a revolution failed.

I love fiction in the form of non-fiction. Here, Griffon writes Etoine and Zaffre's biography, based on Etoine's memoir. The prose is beautiful.

Griffon is a gay trans man. Etoine and Zaffre are T4T m/f. Etoine is a recovering alcoholic walking with a cane, Zaffre suffers from depression and sometimes hallucinations.
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Posted by Emmet Asher-Perrin

Featured Essays The Mummy

The Many Evolutions of the Cinematic Mummy

Mummies have graced films for over a century — but their history is a bit wilder than other movie “monsters.”

By

Published on April 30, 2026

Credit: Universal Pictures

CGI Creature effects of Imhotep in The Mummy (1999)

Credit: Universal Pictures

What is the “mummy movie”? If you consider the characteristics of other monster films, their essence easily comes to mind—a vampire movie is about a bloodsucker intent on seducing victims to join the undead; a werewolf movie is about a troubled shapeshifter preying on a rural community; a zombie movie features unnamed hordes ravaging the living. There are fewer mummy movies, which is part of why it’s more difficult to conjure what exactly they are, but they are also, arguably, the least cinematic of the major monsters. They moan, they shuffle, they’re wrapped up in rags. Oooh, I’m so scared? 

Through the history of the mummy movie, patterns do emerge, always drawn back to the figure’s Egyptian origins, often exoticized accordingly. With the recent release of Lee Cronin’s The Mummy, which traffics in some of these tropes while ultimately barely registering as a proper mummy movie, and the announcement of Brendan Fraser and Rachel Weisz returning for The Mummy 4, it seems time to reflect back on the meanings of the mummy across time, and perhaps more interestingly, across regional interpretation. After all, as André Bazin argued in his legendary essay about the ontology of the photographic image, the cinema itself is akin to mummification, as it carries with it the knowledge of death, and the instinct to ward it off: “the preservation of life by a representation of life.” 

The earliest examples of mummy movies, arriving early in the twentieth century, are instructive. It’s at this time that a cultural frenzy was occurring over Egyptology in North America and Europe, as major tombs, particularly that of King Tut (finally discovered in 1922), were being sought, found, excavated, and marketed on a global scale. These early shorts, including two both titled The Egyptian Mummy (one a lost film from 1913, the other a Vitagraph Studios short from 1914), told simple comedic tales of corpses run amok, though these were fakes, played by characters trying to get one over on a mad scientist. 

Mercy, the Mummy Mumbled (1918) was inspired by these shorts, but further complicated them. Made by an all-Black cast and crew, in this version, the scientist, searching for a mummy to experiment on, tells his daughter’s suitor that he can marry her if his reanimation experiment works (sure, why not). The suitor decides to fake it, acquires a sarcophagus, and hires a shoe shiner to be the mummy. Meanwhile, “Egyptian Emissaries who are searching for the mummy of the Royal Rambunctions stolen years previous by American souvenir hunters” also see the scientist’s ad, and are likewise after the supposed mummy for repatriation. This early inclusion of characters (albeit dressed in era-inappropriate attire) searching for their national heritage, adds a fascinating wrinkle, even if it’s played for humor. The film, it should be noted, was produced by a white-owned company, was largely aimed at white audiences, and other films by the company feature far more racist caricatures than this one. It also may be the first example of a mummy movie with an unravelling gag. 

Boris Karloff addressing another man in The Mummy
Credit: Universal Studios

The next logical point in the mummy film’s trajectory would be, of course, Boris Karloff’s portrayal in Universal’s The Mummy (1932), which would set the tone for the subgenre to come—curses, archeological expeditions, ancient scrolls, elaborate makeup. Indeed, for most of the film, Karloff is heavily made up as an Egyptian man, only briefly appearing in the mummified rags you might imagine (indeed, Lee Cronin’s new mummy film is only the latest in a long tradition of ostensible “mummy movies” that barely seem interested in mummies at all; more on that in a moment). 

Of course, evidence remains scarce that Egyptians ever believed at all in mummification having any connection to reanimation, as it was a sacred practice for protecting souls into the afterlife. Nevertheless, Universal Studios’ now-iconic version, kicked off here with Karloff before following up in The Mummy’s Hand (1940), The Mummy’s Tomb (1942),The Mummy’s Ghost and Curse (both 1944), and, later, Abbott and Costello Meet the Mummy (1955), would come to define the West’s public imagining of mummies and, to an extent, Egyptian history and culture. While entertaining, these films contributed to an Orientalist and colonialist lens on the region—all of which, again, rest largely on the hoopla around the supposed “curse” on King Tut’s tomb. 

At this point, though, things get more interesting, not only through new interpretations in Hollywood and in Europe, but particularly as other global cultures made use of the mummy figure and, oftentimes, how it fit into their regional myths and histories. Mexican cinema is a primary example: Many luchador films, including those featuring folk hero El Santo, would feature mummies, often alongside other monster characters. Mummies here tend to have some connection to demonic power, and are generally foils for the wrestling star to easily dispatch (Santo and Blue Demon Against the Monsters, from 1970, is one to seek out). Other films, perhaps most notably the Aztec Mummy trilogy (1957-8), more directly tie mummy tropes to Aztec aesthetics and history, in part, reportedly, to avoid copyright infringement considering how heavily screenwriter Alfredo Salazar pulled from Universal’s version. These mummies, though, more closely resembled the Mummies of Guanajuato, naturally mummified bodies that were a popular tourist attraction. 

The best of the trilogy is the third entry, The Robot vs. The Aztec Mummy, which, as it happens, is less interested in either robots or mummies than it is in telling a Frankenstein’s monster-like story of “reanimating” a human-robot. In any case, the mummy does show up, looking uncomfortably like Leatherface. The Aztec-Egyptian assemblage does result in inaccurate portrayals of hieroglyphics (Aztecs used pictographs), and Incas actually practiced mummification, not the Aztecs. Even so, the madcap nonsense is ideal viewing while under certain medicinal influences. 

Scene from 1958 Mexican film The Robot vs. the Aztec Mummy (Spanish: La Momia Azteca contra el Robot Humano)
Credit: Cinematografica Calderon

Brazil also distributed a number of unique mummy films, including O Segredo da Múmia (The Secret of the Mummy, 1982). The story is similar to the original mummy shorts, as a scientist seeking the elixir of life uncovers an ancient tomb in Egypt, awakening a mummy who happens to be a love-spurned killer. It is, well, rather campy, a practically-softcore, erotically-charged take of anarchic comedy—in Brazil, a subgenre called pornochanchada—that barely holds together. Here, there is less attention paid to localisation, and more to the absurd pastiche of genres, styles, and iconography. 

The UK reimagined the mummy through Hammer Films’ less “romantic” interpretation, first in The Mummy (1959), as Christopher Lee played the bandaged monster as a more action-oriented rampager, ultimately offering a more exciting and imposing version, even if it somehow has a more uncomfortable colonial sheen to it than the 1932 version. The next two Hammer mummy films are barely worth mentioning, but their final effort, Blood from the Mummy’s Tomb (1971), is a somewhat intriguing take, even as the mummy as such is sidelined in favor of dark occult happenings and outrageous vulgarisms. 

Egypt itself, one of the most successful film industries in the Arab world, has almost entirely ignored the mummy in its cinema. A slight exception would be The Night of Counting the Years (1969), also released as The Mummy, a neo-realist masterpiece which explicitly deals with the moment right before British colonial rule in the country. Taking place in 1881, and based on a true story about the sacking of ancient tombs and the selling of mummies and other relics on the black market, it confronts the value of heritage and tradition, and the threat of the past from outside and from within. As it becomes increasingly mythical, the stolen mummies come to reflect a much broader and thornier meaning of history itself being robbed of its reality. 

In recent decades, then, the mummy film has taken on a decidedly populist and, in some cases, postmodern status. There is the franchise with Brendan Fraser (1999, 2001, 2008), massively popular films, simultaneously irresistible as popcorn entertainment and troubling in their obvious and ill-considered Orientalism. That the franchise is making a comeback now, perhaps spurred  by the ongoing Fraser renaissance, suggests that its continued relevance goes beyond nostalgia, that there’s something about its swashbuckling, adventurous formula that audiences are again demanding. Then, there was Tom Cruise’s attempt to reboot The Mummy (2017) and kickstart the Universal “Dark Universe,” which was canceled following the film’s failure. If anything, it’s probably best remembered by many today because of the trailer released for the film with the wrong audio track, a video which routinely gets re-shared on social media

Bruce Campbell lying in bed as retired Elvis in a nursing home in Bubba Ho-tep
Credit: Vitagraph Films

The best (post)modern take may just be Bubba Ho-tep, Don Coscarelli’s (of Phantasm fame) ridiculous story of a still-alive Elvis Presley teaming up with a dyed-black JFK to battle an ancient, cowboy boot-wearing mummy terrorizing their nursing home by feeding on the souls of its residents through their anuses. It’s both puerile and juvenile, but very funny, and it somehow manages to appropriate the mummy for a moving treatment of aging and what it means to be facing death and confronting your “legacy,” or what you might leave behind. As Elvis asks at one point, “In the end… does anything really matter?” 

Perhaps here is the core of the mummy film, whether in 1918 or today: Death is always coming for you, and there’s nothing you can do about it—but maybe being preserved on film is one way to overcome it. That feeling will never go out of style.[end-mark]

The post The Many Evolutions of the Cinematic Mummy appeared first on Reactor.

runpunkrun: sunflowers against a blue sky with a huge billowy white cloud (where hydrogen is built into helium)
[personal profile] runpunkrun
And Even, Even if They Take Away the Stove
My Inexhaustible Ode to Joy

I have a stove
similar to a triumphal arch!

They take away my stove
similar to a triumphal arch!!

Give me back my stove
similar to a triumphal arch!!!

They took it away
What remains is
a grey
                naked
                               hole.

And this is enough for me;
grey naked hole
grey naked hole.
greynakedhole.


HOLE )

Dukes, a Western, & More

Apr. 30th, 2026 03:30 pm
[syndicated profile] smartbitches_feed

Posted by Amanda

Jana Goes Wild

Jana Goes Wild by Farah Heron is $2.99! This is Heron’s latest and was recommended on Hide Your Wallet. I remember Sarah being curious about the setting. Have any of you read this one?

The highly acclaimed author of Accidentally Engaged delivers a delightful rom-com of one woman trying to shed her perfect image at a destination wedding with hilarious — and moving — results, perfect for fans of Abby Jimenez and Jasmine Guillory .

Jana Suleiman has never really fit in—everyone always sees her as too aloof, too cool, too perfect. The one time she stepped out of her comfort zone she ended up with a broken heart and a baby on the way. Aaaand lesson learned . Now she’s a bridesmaid for a destination wedding in Serengeti National Park, and almost everyone she knows will be there. Her five-year-old daughter. Her mom. Her friends. Even her potential new boss. And of course (because who doesn’t love surprises!) her gorgeous-but-not-to-be-trusted ex.

Fortunately, Anil Malek is a great dad, even if Jana hasn’t quite forgiven him for lying to her all those years ago. Determined to show he has no effect on her whatsoever, she and the bridesmaids concoct a go-wild list to get Jana through the week. Sing karaoke? Sure. Perform their high school dance routine in front of strangers? Okay. But the more she lets down her guard, the less protection she has against her attraction to Anil. And Jana soon realizes it’s one thing to walk on the wild side . . . and quite another to fall for her ex all over again.

Add to Goodreads To-Read List →

You can find ordering info for this book here.

 

 

 

Heresy

Heresy by Melissa Lenhardt is $1.99! This released in 2018 and I mentioned it in Hide Your Wallet. I was definitely interested in the promise of badass women outlaws.

They were the first and only all-female gang in the American West. Though the newspapers refuse to give them credit, their exploits don’t go unnoticed. Now, they’ve got a rival male gang on their trail and an old score to settle.

Margaret Parker and Hattie LaCour never intended to turn outlaw.

After being run off their ranch by a greedy cattleman, their family is left destitute. As women alone they have few choices: marriage, lying on their backs for money, or holding a gun. For Margaret and Hattie the choice is simple. With their small makeshift family, the gang pulls off a series of heists across the West.

Though the newspapers refuse to give the female gang credit, their exploits don’t go unnoticed. Pinkertons are on their trail, a rival male gang is determined to destroy them, and secrets among the group threaten to tear them apart. Now, Margaret and Hattie must find a way to protect their family, finish one last job, and avoid the hangman’s noose.

Add to Goodreads To-Read List →

You can find ordering info for this book here.

 

 

 

Forever My Duke

Forever My Duke by Olivia Drake is $1.99! This is part of the Unlikely Duchesses series, and one of my favorite tropes in historical romance is the brash American heiress. I mentioned this in a previous Hide Your Wallet because the description promised a lot of banter. Did you read it?

“I find Miss Fanshawe to be quite charming—for an American.”—The Prince Regent

Hadrian Ames, the Duke of Clayton, needs a bride. He even has the perfect one picked out. That is, until he meets the lovely, free-spirited Natalie Fanshawe. She’s the opposite of what a man of his high rank should desire in a wife—an outspoken American who has never even set foot in a London ballroom.

But Natalie doesn’t have time to be swept off her feet by a handsome duke who must be a spoiled scoundrel like every other British lord. And she couldn’t care less about Hadrian’s title. After all, it’s not as if he actually worked to attain his wealth and status. He surely can’t understand what it’s like to be a busy woman, planning to open a school while trying to reunite a six-year-old orphan with his English relatives. Nevertheless, Hadrian launches his campaign to win her heart. Can the utterly delightful American beauty ever find a way to love him…despite his being a duke?

Add to Goodreads To-Read List →

You can find ordering info for this book here.

 

 

 

A Market of Dreams and Destiny

A Market of Dreams and Destiny by Trip Galey is $1.99! This is a queer fantasy romance set in 19th century London. If you like books by Freya Marske and Maiga Doocy, you may like this one.

Enter the bazaar of the bizarre—where fate and fortunes are for sale just beneath Covent Garden—in this high-stakes historical fantasy debut set in 19th-century London, perfect for fans of Neverwhere and The Night Circus.

Below Covent Garden lies the Under Market, where anything and everything has a a lover’s first blush, a month of honesty, five minutes of strength, a wisp of luck and fortune. As a child, Deri was sold to one of the most powerful merchants of the Under Market as a human apprentice. Now, after seventeen years of servitude and stealing his master’s secrets, Deri spots a chance to buy not only his freedom but his place amongst the Under Market’s elite.

A runaway princess escapes to the market, looking to sell her destiny. Deri knows an opportunity when he sees it and makes the bargain of the century. If Deri can sell it on, he’ll be made for life, but if he’s caught with the goods, it will cost him his freedom forever. Now that Deri has met a charming and distractingly handsome young man, and persuaded him that three dates are a suitable price for his advice and guidance, Deri realises he has more to lose than ever.

News of the princess spreads quickly and with the royal enforcers closing in, Deri finds himself the centre of his master’s unwanted attention. He’ll have to pull out all the stops to outmanoeuvre the Master Merchant, save the man he loves, make a name for himself, and possibly change the destiny of London forever.

Add to Goodreads To-Read List →

You can find ordering info for this book here.

 

 

 

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Posted by claudia

More Bad Flight News

Since this newsletter comes out weekly, lately I feel like each issue has worse airline industry news. After rising flight prices, fuel charges, and baggage fees, now we’ve got the EU warning they’ll run out of jet fuel before the summer and airlines are canceling flights to conserve what they have. If you can postpone a long trip abroad until after this war is over, that might not be a bad idea. Otherwise, 1) book asap before prices go up again, 2) always pay with a credit card so you have recourse and 3) don’t even think of heading to an airport without having good travel insurance in place that covers delays and cancellations. Oh, and avoid Spirit Airlines.

Not Too Cool for Compression Socks

If you are taking a long flight soon, don’t forget your compression socks. While there are plenty of health claims out there that seem overblown or unsubstantiated, that’s not the case with the risk of deep vein thrombosis on long flights. Compression socks can make a big difference in ensuring that you don’t walk off with swollen ankles or far worse, like blood clots. Mine are from Under Armour, but I doubt the particular brand matters much if they work. Go to this Amazon page and you’ll find 100+ choices in different materials, styles, and colors.

Google Search Hacks for Pros

The average person probably only knows one or two of the tricks for better internet searches outlined in this excellent Secret Reference Desk article from Card Catalog (on Substack). Did you know you can just type “run speed test” in the search bar instead of opening an app to check the Wi-Fi speed? Or that you can just enter a flight number to see the status? Some of the others aren’t so easy to remember, but you can use a minus sign (as in “-AI” to get results not scraped from working writers’ works or an asterisk when you’re not sure what a missing word should be). To get exact results instead of what Google thinks you want, use the verbatim pull-down or put it in quotation marks. Found via Curious About Everything.

In Praise of City Bike Tours

I do a lot of walking tours in city centers, the “free” ones and the paid kind, but there’s a limit to how much you can cover on foot and some cities are too spread-out for this to be ideal. It’s often preferable to take a bike or e-bike tour in order to cover more ground and get more variety in the stops. I’ve done these in locations as diverse as Buenos Aires, Paris, Rome, Lima, and Quebec City. I recently added stateside Richmond, Virginia to my experiences. To see my article on getting around this important historic city (with two craft beer stops in the mix), see my biking article here on the Perceptive Travel blog.


A weekly newsletter with four quick bites, edited by Tim Leffel, author of A Better Life for Half the Price and The World’s Cheapest Destinations. See past editions here, where your like-minded friends can subscribe and join you.

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